Loading...
ADULT DANCER PROGRAM
WHAT TO KNOW
Join us in-studio!
Locations | We have THREE locations. Two are located in Greenlake and one in Capitol Hill.Double check the location of your in-studio class
- theNEST | Studios A & B | Greenlake MAP
6600 1st Ave NE Seattle WA 98115 - NOD Theater | Studios NOD & Oakland | Capitol Hill MAP
1621 12th Ave Seattle WA 98122 - Studio Sea | Greenlake MAP
410 NE 72nd Street Seattle WA 98115
Schedule
~ New Season, New Workshops! ~
eXit SPACE has an amazing line-up of workshops to kick off the new season!
Work on technique, create and choreograph or learn about cross-training.
Explore the options! Learn More
Pre-reservation is highly encouraged for all in-studio participation -- the reservation window opens seven days before class and closes at the start of class.
Classes are pre-paid** and can be cancelled up to 12 hours before class starts.
Click on View Details for class location.
**The button is sometimes not showing when class is not full -- you can also check here to reserve. If the class is not cancelled, you can also drop-in as long as you have pre-paid (use the links in the pricing area). Scholarships/Financial Assistance
Trouble reserving / Need to check account? GET HELP
Locations | Double check the location of your in-studio class
- theNEST | MAP
6600 1st Ave NE Seattle WA 98115 | Studios A & B - NOD Theater | MAP
1621 12th Ave Seattle WA 98122 | Studios NOD & Oakland - Studio Sea | MAP
410 NE 72nd Street Seattle WA 98115
Open BalletNicole Flores90 minutes | Studio Sea | |
Open BalletAnnie DeVuono90 minutes | Studio Sea | |
Int/Adv ModernWade Madsen90 minutes | Studio NOD | |
Basic ModernRose Amlin1 hour | Pre-assigned students only - no drop-ins Studio A | |
Int/Adv TapLauren Wlasichuk1 hour | Studio B | |
Basic TapLauren Wlasichuk1 hour | Pre-assigned students only - no drop-ins Studio B | |
Pointe SkillsAnnie DeVuono1 hour | Studio Sea | |
Tyra's Power HourTyra Rose1 hour | Studio Oakland |
Open BalletAnnie DeVuono90 minutes | Studio Sea | |
Beg BalletMiranda Chantelois90 minutes | Studio Sea | |
Beg TapLauren Wlasichuk1 hour | Studio B | |
Basic BurlesqueScarlett Folds (Micaela Gonzales)75 minutes | Pre-assigned students only - no drop-ins Studio Oakland | |
Advanced ContemporaryAlicia Mullikin90 minutes | Studio NOD | |
Basic BalletMiranda Chantelois1 hour | Pre-assigned students only - no drop-ins Studio Sea | |
Beg JazzLauren Wlasichuk1 hour | Studio B |
Int/Adv ModernMarlo Martin90 minutes | Studio A | |
Int BalletNicole Flores90 minutes | Studio Sea | |
Basic Hip Hop Fundamentals and Movement SkillsDaezhane Day1 hour | Pre-assigned students only - no drop-ins Studio B | |
Basic ModernTyra Rose1 hour | Pre-assigned students only - no drop-ins Studio Oakland |
Adv/Prof ContemporaryTyra Rose90 minutes | Studio NOD | |
Beg BalletAnnie DeVuono90 minutes | Studio Sea | |
Beg ModernTBD90 minutes | Studio A | |
Int JazzTyra Rose90 minutes | Studio Sea | |
Basic JazzMiranda Chantelois1 hour | Pre-assigned students only - no drop-ins Studio B |
Open BalletAnnie DeVuono90 minutes | Studio Sea | |
Int Contemporary BalletAnnie St. Marie90 minutes | Studio Sea |
Open BalletAnnie DeVuono90 minutes | Studio Sea | |
Basic JazzMiranda Chantelois1 hour | Pre-assigned students only - no drop-ins Studio A | |
Int ModernRotating Faculty90 minutes | Studio Sea | |
Beg Ballet and ConditioningNicole Flores90 minutes | Studio Sea |
Beg BalletKaitlin McCarthy90 minutes | Studio Oakland | |
Beg ModernTyra Rose90 minutes | Studio A | |
Open BalletAnnie DeVuono90 minutes | Studio Sea | |
Int/Adv ContemporaryTyra Rose90 minutes | Studio A | |
CI JamBrianna Jones120 minutes | Studio NOD | |
Beg/Int BalletAnnie St. Marie90 minutes | Studio Sea | |
Basic BalletKaitlin McCarthy1 hour | Pre-assigned students only - no drop-ins Studio Oakland | |
Basic Hip Hop Fundamentals and Movement SkillsTyra Rose1 hour | Pre-assigned students only - no drop-ins Studio A |
New Offerings for 2024-25
eXit SPACE is proud to host a wide range of exciting and engaging workshops in 2024-2025. Workshops offer dancers the time to dive deeper into concepts, systems, processes, and practice. These workshops provide opportunities to experience in depth learning of styles/techniques, they offer time for dialogue and conversation, and the space to investigate your own creative methods. Don't miss out!
Choreo Clinic with Amy J Lambert
♢ Four Separate Offerings
♢ 9.22 6:30-8pm @ Studio NOD
♢ 10.20 7:30-9pm @ Studio A (NEST)
♢ 11.17 7:30-9pm @ Studio A (NEST)
♢ 12.15 7:30-9pm @ Studio A (NEST)
This class is for both the experienced dance-maker and folks new to choreography. If you are someone who has been asked to create choreography in rehearsals and would like more experience, someone who would like to create something and are not sure how to get started, someone who has a road-block and is looking for a low-stakes space to practice saying “yes” to making choices, and if you love creating dance and are looking for a fun place to play that isn't tied to a product, this clinic is for you.
In each class, we will work with a choreographic prompt in small groups or solos. Dancers will practice and develop their creative skills to create short dances. The themes will range from developing our “Choreographic Tool Box”, practicing “concept forward” choreography, utilizing props, and interacting with new inspiration.
These “dance sketches” will be shared with the class at the end of each session where students will also get an opportunity to practice how to facilitate their own feedback and to give feedback in a supportive environment.
The purpose of these clinics is to hold a fun and creative space for dancers to have a lot of mini practices with creating choreography, regardless of prior experience. With guidance from the instructor, dance makers both new and experienced might have an opportunity to play with new pathways, new movement relationships, and new approaches to entering the space and saying “yes” to their ideas.
Dancers should wear comfortable movement clothes with warm layers and a notebook. These clinics will be offered once a month and can also be taken as a standalone class.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
♢ 11.17 7:30-9pm @ Studio A (NEST)
♢ 12.15 7:30-9pm @ Studio A (NEST)
This class is for both the experienced dance-maker and folks new to choreography. If you are someone who has been asked to create choreography in rehearsals and would like more experience, someone who would like to create something and are not sure how to get started, someone who has a road-block and is looking for a low-stakes space to practice saying “yes” to making choices, and if you love creating dance and are looking for a fun place to play that isn't tied to a product, this clinic is for you.
In each class, we will work with a choreographic prompt in small groups or solos. Dancers will practice and develop their creative skills to create short dances. The themes will range from developing our “Choreographic Tool Box”, practicing “concept forward” choreography, utilizing props, and interacting with new inspiration.
These “dance sketches” will be shared with the class at the end of each session where students will also get an opportunity to practice how to facilitate their own feedback and to give feedback in a supportive environment.
The purpose of these clinics is to hold a fun and creative space for dancers to have a lot of mini practices with creating choreography, regardless of prior experience. With guidance from the instructor, dance makers both new and experienced might have an opportunity to play with new pathways, new movement relationships, and new approaches to entering the space and saying “yes” to their ideas.
Dancers should wear comfortable movement clothes with warm layers and a notebook. These clinics will be offered once a month and can also be taken as a standalone class.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
♢ Two Offerings, Four Instructors
♢ 10.19 3-5:30pm @ Studio NOD | Zoe Geiger & Nicole Flores
♢ 10.26* 3-5:45pm @ Uplift Fitness & Studio NOD | Rena Walker & Alex Goldstein
Tuition: $45 each Sign Up
*The 10.26 workshop will start at Uplift Fitness and will move to NOD. A 15 minute break is scheduled for the transition. Uplift Fitness is located at 118 Broadway East, Seattle, WA 98102 | MAP
Questions? Email info@exitspacedance.com for more information
Tuition: $45 each Sign Up
Come learn how we can optimize power, strength, and control within our bodies as resilient movers. In this workshop, we will learn about foot and ankle mechanics, explore the joints that control turnout, and apply these concepts to exercises and stretches for inside and outside the studio. This hands-on session will equip you with practical tools to protect your body and improve performance, supporting a safe and enjoyable dance journey.
About Zoe:
Zoe, a physical therapist and certified strength and conditioning specialist, brings a wealth of experience in supporting dancers with injury prevention and rehabilitation. Her firm belief that dance should be accessible to every body drives her to combine personalized care and evidence-based strategies to help dancers achieve their full potential. Zoe is passionate about educating and empowering young dance students in her community.
About Zoe:
Zoe, a physical therapist and certified strength and conditioning specialist, brings a wealth of experience in supporting dancers with injury prevention and rehabilitation. Her firm belief that dance should be accessible to every body drives her to combine personalized care and evidence-based strategies to help dancers achieve their full potential. Zoe is passionate about educating and empowering young dance students in her community.
Together we will understand how to optimize our flexibility by building a mobility routine that can be done as a part of our warm up or cool down. In this workshop, participants will understand the difference between passive, active, and dynamic stretches as well as how to string things together to create a sense of flow. My hope is that this allows the dancers to bring these movements into their everyday life.
About Nicole:
Nicole is a professional dancer, teacher, and a NASM certified personal trainer. Her practice is rooted in understanding the functionalities of the human body and how we can maximize that knowledge to succeed and grow as dancers. Her credits include an L1 Animal Flow certification, Corrective exercise specialist, and a BFA in dance from Columbia College Chicago.
About Nicole:
Nicole is a professional dancer, teacher, and a NASM certified personal trainer. Her practice is rooted in understanding the functionalities of the human body and how we can maximize that knowledge to succeed and grow as dancers. Her credits include an L1 Animal Flow certification, Corrective exercise specialist, and a BFA in dance from Columbia College Chicago.
This workshop is designed to help you feel more comfortable and confident in the gym. We'll go over a proper warm-up, workout program design using movement patterns, movement techniques, and how to incorporate strength training into your life.
About Rena:
Rena started strength training in 2013 after battling with an eating disorder. She made her way into competitive powerlifting and realized if she wanted to get stronger, she needed to start eating more food which helped begin her healing journey. She teaches strength training in a way that builds confidence, helps with injury prevention, and celebrates what one's body can do without focusing on looks.
About Rena:
Rena started strength training in 2013 after battling with an eating disorder. She made her way into competitive powerlifting and realized if she wanted to get stronger, she needed to start eating more food which helped begin her healing journey. She teaches strength training in a way that builds confidence, helps with injury prevention, and celebrates what one's body can do without focusing on looks.
Come learn the basics of anatomy and kinesiology with a focus on how we work with our bodies in dance. Learn about your joints, muscles, and fascia and how to take care of your body, staying mobile and healthy, both in and out of the studio.
About Alex:
Alex is an advanced Soma Structural Integrator and Level Three Franklin Method Educator. She teaches anatomy, physiology and kinesiology to students at the Soma Institute and clients in her private bodywork practice. She believes movement is the key to health and age is just a number.
About Alex:
Alex is an advanced Soma Structural Integrator and Level Three Franklin Method Educator. She teaches anatomy, physiology and kinesiology to students at the Soma Institute and clients in her private bodywork practice. She believes movement is the key to health and age is just a number.
*The 10.26 workshop will start at Uplift Fitness and will move to NOD. A 15 minute break is scheduled for the transition. Uplift Fitness is located at 118 Broadway East, Seattle, WA 98102 | MAP
Questions? Email info@exitspacedance.com for more information
♢ Two Separate Offerings
♢ 10.29 7:30-9pm @ Studio NOD | Tyra Rose & Marlo Martin
♢ 12.3 7:30-9pm @ Studio NOD | Tyra Rose
Come explore the anatomy of turning. A guided exploration into the science and art of spiral. Learn how to gain and control momentum, how alignment and strength are your super-powers, and practical skills to put into your training to achieve confidence in turning.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
Come explore the anatomy of turning. A guided exploration into the science and art of spiral. Learn how to gain and control momentum, how alignment and strength are your super-powers, and practical skills to put into your training to achieve confidence in turning.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
♢ Two Separate Offerings
♢ 10.4 7:30-8:45pm @ Studio SEA
♢ 11.1 7:30-8:45pm @ Studio SEA
Come explore some of your most beloved ballets by learning variations from these famous ballets: La Bayadère - Gamzatti, Nikiya, Coppélia - Swanhilda. Don Quixote - Basilio, Kitri, Cupid, The Nutcracker - Sugar Plum Fairy, Sleeping Beauty - Bluebird., Swan Lake - Odile (the Black Swan). Come learn the stories and characters that make these some of the world's most loved ballets. Variations will be taught slowly with alternate options for various levels of experience and technique. This workshop is suitable for Intermediate through Adv-Professional level dancers.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
Come explore some of your most beloved ballets by learning variations from these famous ballets: La Bayadère - Gamzatti, Nikiya, Coppélia - Swanhilda. Don Quixote - Basilio, Kitri, Cupid, The Nutcracker - Sugar Plum Fairy, Sleeping Beauty - Bluebird., Swan Lake - Odile (the Black Swan). Come learn the stories and characters that make these some of the world's most loved ballets. Variations will be taught slowly with alternate options for various levels of experience and technique. This workshop is suitable for Intermediate through Adv-Professional level dancers.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
♢ Two Separate Offerings
♢ 10.2 7:30-9pm @ Studio NOD
♢ 11.19 7:30-9pm @ Studio NOD
Jump training, executing jumps safely and effectively, the anatomy of a jump. Learn and practice the skills needed to achieve higher jumps and leaps.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
Jump training, executing jumps safely and effectively, the anatomy of a jump. Learn and practice the skills needed to achieve higher jumps and leaps.
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
♢ Three Separate Offerings
♢ 11.10 2-3:30pm @ Studio NOD
♢ 12.8 2-3:30pm @ Studio A (NEST)
♢ 12.22 2-3:30pm @ Studio NOD
Come train with badmarmarDANCE. Join in on our company class and learn the aesthetics, choreographic processes, character development work, and mindset that makes our work so dynamic, thoughtful, and soulful. Designed for the intermediate-advanced through professional level dancer. Full class with company repertoire.
badmarmarDANCE:
Artistic Director: Marlo Martin
Company Members: Ally Elliott, Bri Wilson, Hayley Keller, Miranda Chantelois, Nicole Flores, Sean O'Bryan, and Tyra Rose
badmarmardance.com
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
Come train with badmarmarDANCE. Join in on our company class and learn the aesthetics, choreographic processes, character development work, and mindset that makes our work so dynamic, thoughtful, and soulful. Designed for the intermediate-advanced through professional level dancer. Full class with company repertoire.
badmarmarDANCE:
Artistic Director: Marlo Martin
Company Members: Ally Elliott, Bri Wilson, Hayley Keller, Miranda Chantelois, Nicole Flores, Sean O'Bryan, and Tyra Rose
badmarmardance.com
Tuition: $30 each Sign Up
Questions? Email info@exitspacedance.com for more information
~ 2024-25 ADP Workshops ~
Modern | eXit SPACE offers an array of modern technique classes, all focused on full-bodied movement and improving artistry. As a technique, Modern dance allows students to develop a deep connection to their center, confidence in inversion techniques and acrobatic skills (cart wheels, hand and head stands, floor rolls, etc), refined articulation through the spine, improvisation practice, and freedom of movement. Dancers learn to focus their attention on traveling through space with intention and dynamic variation rather than just focusing on shapes and steps. Basic level classes at eXit SPACE give those new to dance a foundation on which to build and explore the fascinating history of modern dance with an emphasis on individuality and adaptive formats, while our most advanced modern classes are a perfect way for professionals and trained dancers to work with local dance artists in styles that range from Euro-influenced codified forms to new age contemporary forms and afro-diaspora movement. eXit SPACE is proud to have a modern dance faculty composed of professional dancers and choreographers currently presenting work in the Greater Seattle Area and has become a vital hub for beginning to advanced level adult dancers looking for both professional level modern dance study and well-rounded foundational introductions to the form.
A brief history: Modern Dance is a style of western concert dance developed in the late 19th and early 20th century by European artists as an artistic rebellion against the perceived constraints of classical ballet and by European diasporic movers seeking to re-ground dance in indigenous and Black dance foundations. In Germany, dancers Rudolf Von Laban and Mary Wigman began abandoning the strict movement vocabulary, nymph-like portrayals of women, and confining expectations of ballet for more freeform movement characterized by organic body patterns, deliberate falls into the floor, and improvisatory scores - ideas later relayed to the United States by American dancer, educator, and modern dance pioneer, Isadora Duncan by 1914. By the 1930's Katherine Dunham, an African American anthropologist, ethnologue, dancer, and choreographer (among many other roles) revolutionized the form by rooting modern dance in Black culture and folk dance through her anthropological studies in Trinidad, Jamaica, and Haiti. Bolstered by the work of Lester Horton, Alvin Ailey, Pearl Primus, Merce Cunningham, Martha Graham, Paul Taylor, Pina Bausch, and so many others, modern dance has since evolved to encompass a multiplicity of techniques not limited to any specific vocabulary. From Horton and Graham Techniques - which explore linearity and contractions with an emphasis on flat backs, lateral extensions, tilts, and lunges - to more somatic-centered practices based on concepts of release, imagery, strength, and emotional embodiment, modern dance can encompass a wide variety of aesthetics ranging from its even broader history in european and afro-diasporan movement.
A brief history: Modern Dance is a style of western concert dance developed in the late 19th and early 20th century by European artists as an artistic rebellion against the perceived constraints of classical ballet and by European diasporic movers seeking to re-ground dance in indigenous and Black dance foundations. In Germany, dancers Rudolf Von Laban and Mary Wigman began abandoning the strict movement vocabulary, nymph-like portrayals of women, and confining expectations of ballet for more freeform movement characterized by organic body patterns, deliberate falls into the floor, and improvisatory scores - ideas later relayed to the United States by American dancer, educator, and modern dance pioneer, Isadora Duncan by 1914. By the 1930's Katherine Dunham, an African American anthropologist, ethnologue, dancer, and choreographer (among many other roles) revolutionized the form by rooting modern dance in Black culture and folk dance through her anthropological studies in Trinidad, Jamaica, and Haiti. Bolstered by the work of Lester Horton, Alvin Ailey, Pearl Primus, Merce Cunningham, Martha Graham, Paul Taylor, Pina Bausch, and so many others, modern dance has since evolved to encompass a multiplicity of techniques not limited to any specific vocabulary. From Horton and Graham Techniques - which explore linearity and contractions with an emphasis on flat backs, lateral extensions, tilts, and lunges - to more somatic-centered practices based on concepts of release, imagery, strength, and emotional embodiment, modern dance can encompass a wide variety of aesthetics ranging from its even broader history in european and afro-diasporan movement.
Contemporary | Contemporary dance refers to classes, choreography, and movement practices that draw from a variety of styles but maintain a strong foundation in modern dance. As the internet and technology allowed for dance influences to become more accessible across distances, contemporary dance began to develop. Multicultural influences and the intentional blend of dance styles like jazz, hip hop, and others has been at the heart of contemporary dance since its inception. Unlike other dance forms which have a strong historical foundation in a single codified technique, contemporary is an ever evolving form; it is frequently defined by the individual teacher and taught as a personal reaction to their relationship(s) with other forms. At eXit SPACE, contemporary classes often include full-bodied movement, bottom-heavy dance phrases, extensive floor-work and emotionality.
Ballet | Class emphasis at eXit SPACE is on dynamic alignment, strength development, body awareness, artistic expression, and quality of movement taught in styles ranging from purely classical to more contemporary, with a frequent mix of methodologies. Every class includes a comprehensive barre and center practice with the option to adapt movements based on level, injury, and comfort. Ballet has a long history of exclusion - from socio-economic status, to skin color, body type, age, and level of training – but eXit SPACE is proud to be one of a growing number of dance education facilities that stands on the firm notion that ballet is for everybody and every body with the intention of elevating individual artistic voices by decentering the historic whiteness in ballet.
A brief history: The roots of Ballet date back to European ethnic/folk dances copied by the Italian court during the Renaissance for aristocratic entertainment. An Italian social dance with choreographic elements, "balleto" or ballet, made its way to France in the 16th century where dancing masters instructed children and choreographed increasingly elaborate performances with sets, costumes and story elements. In the 17th century court, King Louis XIV emerged as a figurehead of ballet's codification, establishing the Royal Academy of Dance where Pierre Beauchamp established the five traditional rotated positions. Russia, subsequently, played a major role in Ballet's further development and Russian dancers are often credited with "perfecting" the technique. Through the Baroque Period and into the Romantic Era and beyond, Ballet gained six codified teaching styles which are often adapted and/or mixed for ballet classes around the world (the Vaganova, Cecchetti Method, and RAD methods being the most common).
For a more comprehensive history of ballet: Apollo's Angels by Jennifer Homans and Night's Dancer: The Life of Janet Collins by Yael Tamar Lewin
A brief history: The roots of Ballet date back to European ethnic/folk dances copied by the Italian court during the Renaissance for aristocratic entertainment. An Italian social dance with choreographic elements, "balleto" or ballet, made its way to France in the 16th century where dancing masters instructed children and choreographed increasingly elaborate performances with sets, costumes and story elements. In the 17th century court, King Louis XIV emerged as a figurehead of ballet's codification, establishing the Royal Academy of Dance where Pierre Beauchamp established the five traditional rotated positions. Russia, subsequently, played a major role in Ballet's further development and Russian dancers are often credited with "perfecting" the technique. Through the Baroque Period and into the Romantic Era and beyond, Ballet gained six codified teaching styles which are often adapted and/or mixed for ballet classes around the world (the Vaganova, Cecchetti Method, and RAD methods being the most common).
For a more comprehensive history of ballet: Apollo's Angels by Jennifer Homans and Night's Dancer: The Life of Janet Collins by Yael Tamar Lewin
Ballet and Conditioning | Beginning Ballet & Conditioning is a beginning-level ballet class for dancers with a basic understanding of classical movement vocabulary, which includes both a traditional ballet barre and center work along with warm-up and cool-down exercises on mats**, an emphasis on stretching, and expressive choreography. Class emphasis at eXit SPACE is on dynamic alignment, strength development, body awareness, artistic expression, and quality of movement taught in styles ranging from purely classical to more contemporary, with a frequent mix of methodologies. With that in mind, ballet has a long history of exclusion – from socio-economic status, to skin color, body type, age, and level of training, but eXit SPACE is proud to be one of a growing number of dance education facilities that stands on the firm notion that ballet is for everybody and every body with the intention of elevating individual artistic voices by decentering the historic whiteness in ballet. This is a great class for intermediate-level beginners and a wonderful relaxing work-out for any level.
**Conditioning includes work on mats and utilizes hand weights and/or exercise bands. Students are encouraged to bring their own, but we have some props available to borrow.
A brief history: The roots of Ballet date back to European ethnic/folk dances copied by the Italian court during the Renaissance for aristocratic entertainment. An Italian social dance with choreographic elements, "balleto" or ballet, made its way to France in the 16th century where dancing masters instructed children and choreographed increasingly elaborate performances with sets, costumes and story elements. In the 17th century court, King Louis XIV emerged as a figurehead of ballet's codification, establishing the Royal Academy of Dance where Pierre Beauchamp established the five traditional rotated positions. Russia, subsequently, played a major role in Ballet's further development and Russian dancers are often credited with "perfecting" the technique. Through the Baroque Period and into the Romantic Era and beyond, Ballet gained six codified teaching styles which are often adapted and/or mixed for ballet classes around the world (the Vaganova, Cecchetti Method, and RAD methods being the most common).
For a more comprehensive history of ballet: Apollo's Angels by Jennifer Homans and Night's Dancer: The Life of Janet Collins by Yael Tamar Lewin
**Conditioning includes work on mats and utilizes hand weights and/or exercise bands. Students are encouraged to bring their own, but we have some props available to borrow.
A brief history: The roots of Ballet date back to European ethnic/folk dances copied by the Italian court during the Renaissance for aristocratic entertainment. An Italian social dance with choreographic elements, "balleto" or ballet, made its way to France in the 16th century where dancing masters instructed children and choreographed increasingly elaborate performances with sets, costumes and story elements. In the 17th century court, King Louis XIV emerged as a figurehead of ballet's codification, establishing the Royal Academy of Dance where Pierre Beauchamp established the five traditional rotated positions. Russia, subsequently, played a major role in Ballet's further development and Russian dancers are often credited with "perfecting" the technique. Through the Baroque Period and into the Romantic Era and beyond, Ballet gained six codified teaching styles which are often adapted and/or mixed for ballet classes around the world (the Vaganova, Cecchetti Method, and RAD methods being the most common).
For a more comprehensive history of ballet: Apollo's Angels by Jennifer Homans and Night's Dancer: The Life of Janet Collins by Yael Tamar Lewin
Pointe | Pointe class is for students with strong ballet training who are interested in starting/revisiting pointe work. Each hour-long class is divided into two parts: strengthening and variation work. All students work at the barre on strengthening, participate in short exercises across the floor, and receive feedback on how to improve their technique and safety. On a basis of strength, safety, and overall readiness, some students may be asked to change to flat shoes as the class progresses to more difficult variations. With improvement and teacher permission, beginning/intermediate level pointe dancers will have the opportunity to work in pointe shoes for longer periods of time throughout class.
Jazz | Ray Leeper once said that jazz dance requires three main skills of the dancer: precision of body placement, muscular resistance and stretch (strong lines), and personality/pizazz. Jazz classes at eXit SPACE honor this multifaceted nature of jazz dance through an emphasis on individuality, technique, and a variety of stylistic frameworks. Aesthetically, Jazz can range from vernacular styles such as the Charleston and Jitterbug, to lyrical, commercial, and Broadway forms that many will recognize from contemporary pop culture; classes at eXit SPACE are primarily informed by Euro-influenced forms of lyrical, commercial, and Broadway style jazz, depending on the instructor. Classes begin with a comprehensive warm-up focusing on strength-building, flexibility, isolation, extension, and rhythm accompanied by a wide range of popular music selections from pop to Broadway. Rooted into the ground through use of deep plié, jazz emphasizes strong footwork and confident gross motor movement, allowing students at eXit SPACE develop strength and precision through challenging leaps, turns, and progressions before ending class with a longer combination that incorporates a wide range of artistic concepts.
A brief history: Jazz can be traced back to seventeenth century African dance rituals characterized by polyrhythm, improvisation, and isolation. Vernacular Jazz was formally developed by Black Americans in the early 20th century alongside the evolution of jazz music as an embodiment of Black culture and liberation. Vernacular or authentic jazz refers to such forms as the Charleston, Lindy Hop, Jitterbug, and the Twist which were subsequently copied by white audiences as popularity increased. Jazz became concert dance when Black choreographer and anthropologist Katherine Dunham (1909–2006) brought works of performance ethnography to proscenium stages, having infused Carribean dance and African Diasporan traditions into her modern-based works, giving way to a new era of popular performance. Subsequent artists adapted, appropriated, and reimagined jazz, which has now branched off to include lyrical jazz as well as commercial and Broadway jazz forms (informed by burlesque, vaudeville, and musical theater) now seen most commonly on stage and TV. Eugene Louis Faccuito (Luigi), Gus Giordano, and Matt Mattox furthered the evolution of the style in the mid to late 1900's and are training the next generation of teachers to this day.
For a more comprehensive history of Jazz dance: Jazz Dance: The Story of American Vernacular Dance by Marshall Stearns and Jean Stearns
A brief history: Jazz can be traced back to seventeenth century African dance rituals characterized by polyrhythm, improvisation, and isolation. Vernacular Jazz was formally developed by Black Americans in the early 20th century alongside the evolution of jazz music as an embodiment of Black culture and liberation. Vernacular or authentic jazz refers to such forms as the Charleston, Lindy Hop, Jitterbug, and the Twist which were subsequently copied by white audiences as popularity increased. Jazz became concert dance when Black choreographer and anthropologist Katherine Dunham (1909–2006) brought works of performance ethnography to proscenium stages, having infused Carribean dance and African Diasporan traditions into her modern-based works, giving way to a new era of popular performance. Subsequent artists adapted, appropriated, and reimagined jazz, which has now branched off to include lyrical jazz as well as commercial and Broadway jazz forms (informed by burlesque, vaudeville, and musical theater) now seen most commonly on stage and TV. Eugene Louis Faccuito (Luigi), Gus Giordano, and Matt Mattox furthered the evolution of the style in the mid to late 1900's and are training the next generation of teachers to this day.
For a more comprehensive history of Jazz dance: Jazz Dance: The Story of American Vernacular Dance by Marshall Stearns and Jean Stearns
Hip Hop | At eXit SPACE, students can expect teachers to be well-versed in the history and steps associated with hip hop dance while providing a comprehensive, structured class. All hip hop classes at eXit SPACE begin with an aerobic warm up to practice basic steps and body isolations with clear dynamics, all the while building the necessary strength and flexibility for full-bodied movement. Teachers emphasize individuality, rhythm, and theatricality, embracing the roots of hip hop as an improvisational, cypher-based from. After warmup and skill building, the majority of hip hop classes are spent learning choreography, allowing dancers to engage in an in-depth study on locomotor steps while advancing coordination, musicality, and self-expression. Many instructors take early hip hop styles and steps, integrating them into combinations that represent hip hop in its current state.
A brief history: Hip hop dance emerged in the late 1960's out of the South Bronx, an economically depressed neighborhood in New York City composed primarily of Black and Latinx families. As a way to connect with one another and distract from racial oppression and poverty, youth in the South Bronx (and later Brooklyn and Harlem) channelled their fear and anger into a new culture of movement and expression, often using vacant lots and abandoned buildings for house parties where the co-mingling of rapping, DJing, B-boying, and graffiti emerged as the pillars of hip hop culture. DJ Kool Herc, a Jamaican immigrant and the "father of hip hop music" invented the break beat, a looped musical interlude meant for dancers (b-boys and b-girls) to show off their respective talents; this invention and Herc's musical/rhythmic contributions of the time made way for a new style of modern movement. Between east coast and west coast dancers, uprock, breaking, locking, roboting, freestyling, and popping styles began to make waves and – in combination with James Brown's music, the formation of dance crews, and Don Cornelius' creation of the television show Soul Train – Hip Hop dance has since made its way from the streets into the studios.
For a more comprehensive history of hip hop: Hip Hop Dance (The American Dance Floor) by Mohanalakshmi Rajakumar and/or Foundation: B-boys, B-girls and Hip-Hop Culture in New York by Joseph G. Schloss
A brief history: Hip hop dance emerged in the late 1960's out of the South Bronx, an economically depressed neighborhood in New York City composed primarily of Black and Latinx families. As a way to connect with one another and distract from racial oppression and poverty, youth in the South Bronx (and later Brooklyn and Harlem) channelled their fear and anger into a new culture of movement and expression, often using vacant lots and abandoned buildings for house parties where the co-mingling of rapping, DJing, B-boying, and graffiti emerged as the pillars of hip hop culture. DJ Kool Herc, a Jamaican immigrant and the "father of hip hop music" invented the break beat, a looped musical interlude meant for dancers (b-boys and b-girls) to show off their respective talents; this invention and Herc's musical/rhythmic contributions of the time made way for a new style of modern movement. Between east coast and west coast dancers, uprock, breaking, locking, roboting, freestyling, and popping styles began to make waves and – in combination with James Brown's music, the formation of dance crews, and Don Cornelius' creation of the television show Soul Train – Hip Hop dance has since made its way from the streets into the studios.
For a more comprehensive history of hip hop: Hip Hop Dance (The American Dance Floor) by Mohanalakshmi Rajakumar and/or Foundation: B-boys, B-girls and Hip-Hop Culture in New York by Joseph G. Schloss
Commercial Choreography | Power Hour | A class focused on a fusion of dance styles including Hip Hop, Jazz, Contemporary, and many other forms of dance. Commercial choreography refers to a style of dance seen in Music Videos, L.A Dance Industry, Television Productions, and much more. Commercial Choreography is often confused with Hip Hop Dance due to the influence of Hip Hop Culture throughout history. Due to the fusion of dance styles, Commercial Choreography is simply inspired by but not the same as Hip Hop.
Tap | Dance students at eXit SPACE are trained in basic rhythmic skills, footwork, and traditional tap dances, exploring more detailed and difficult steps, syncopated rhythms, and challenging progressions over time. Classes are influenced by both rhythm tap (which focuses on percussion, complex rhythms, and use of the feet as instruments) as well as Broadway style tap (which combines rhythm tap and jazz dance for a more theatrical aesthetic and physical storytelling), offering dancers a wide range of skill sets for versatility of performance. eXit SPACE embeds tap history – which is rooted in oppression, physical liberation, and protest art – into its curriculum, while acknowledging the privilege of learning this art form in the studio.
A brief history: Tap is an American dance form that originated through the communication of enslaved Africans and Irish indentured servants, blending the percussive dances of their cultures. Enslaved Africans learned to embed traditional African rhythms with European instrumentation and court dance structures, ultimately using clapping, patting, and percussive footwork as rhythmic substitutes for drums on plantations. Later, through experimentation of innovative rhythms, acrobatic feats, and personal style alongside the indentured Irish, Black Americans developed the foundations of what we know as tap dance today, epitomized by the works of Gregory Hines, Savion Glover, Chloe Arnold, and Michelle Dorance.
For a more comprehensive history of Tap dance: Tap Dancing America: A Cultural History by Constance Valis Hill or What The Eye Hears: A History of Tap Dancing by Brian Seibert
A brief history: Tap is an American dance form that originated through the communication of enslaved Africans and Irish indentured servants, blending the percussive dances of their cultures. Enslaved Africans learned to embed traditional African rhythms with European instrumentation and court dance structures, ultimately using clapping, patting, and percussive footwork as rhythmic substitutes for drums on plantations. Later, through experimentation of innovative rhythms, acrobatic feats, and personal style alongside the indentured Irish, Black Americans developed the foundations of what we know as tap dance today, epitomized by the works of Gregory Hines, Savion Glover, Chloe Arnold, and Michelle Dorance.
For a more comprehensive history of Tap dance: Tap Dancing America: A Cultural History by Constance Valis Hill or What The Eye Hears: A History of Tap Dancing by Brian Seibert
Open Movement and Contact Improvisation Jam |
Contact Improv Jams are an open, unstructured gathering of like-minded dancers coming together to engage, practice and explore Contact Improvisation.
Contact Improvisation is a partnered dance form based on the physical principles of touch, momentum, and weight sharing. This can lead the ensemble through level changes by ways of tumbling, rolling, falling and flying! This is a constant source of endless playful investigation of exploring points of contact and dance improvisation.
Open Movement is encouraged for solo dance exploration and individual warm up.
Jams are generally silent (no music) with the exception of a once a month live-scored guest musician. Mellow socializing and laughing about it are totally allowed.
All levels of experience are welcomed and encouraged.
Contact Jams are for adults 18 years old and up.
Here is a short video demonstrating what a CI Jam looks like.
Contact Improvisation is a partnered dance form based on the physical principles of touch, momentum, and weight sharing. This can lead the ensemble through level changes by ways of tumbling, rolling, falling and flying! This is a constant source of endless playful investigation of exploring points of contact and dance improvisation.
Open Movement is encouraged for solo dance exploration and individual warm up.
Jams are generally silent (no music) with the exception of a once a month live-scored guest musician. Mellow socializing and laughing about it are totally allowed.
All levels of experience are welcomed and encouraged.
Contact Jams are for adults 18 years old and up.
Here is a short video demonstrating what a CI Jam looks like.
Burlesque Jazz | With inspiration drawn from the art of tease and reveal, and influenced by jazz and cabaret styles, this class is a fun and vigorous experience for intermediate and advanced dancers. Dancers will play with movements choreographed by Scarlett Folds and experience the suppleness of slow burns, high energy movements, and fun, titillating ways to tease.
BASIC Modern | Modern Dance is a style of western concert dance developed in the late 19th and early 20th century by European artists as an artistic rebellion against the perceived constraints of classical ballet and by European diasporic movers seeking to re-ground dance in indigenous and Black dance foundations. Basic Modern at eXit SPACE honors the history of modern dance through an emphasis on equity and individuality while guiding beginning modern dancers through the structure of a dance class and the etiquette required in a studio. Warm-up exercises designed to center the body, re-pattern movement habits, and build strength and flexibility will prepare beginning dancers to move more fully, while movement combinations center and across the floor will allow for an in-depth study on locomotor steps while advancing coordination, musicality, and self-expression. Basic Modern dancers will also develop a deep connection to their center, confidence in level-appropriate inversion techniques and acrobatic skills (monkey jumps, tip ups, and floor rolls), refined articulation through the spine, and freedom of movement, focusing their attention on traveling through space with intention and dynamic variation.
Geared towards adult dancers of all ages, body types, and backgrounds, Basic teachers provide options for modifications and alternative movements frequently so that all dancers can participate in ways that feel safe and successful.
Download Course Syllabus
Geared towards adult dancers of all ages, body types, and backgrounds, Basic teachers provide options for modifications and alternative movements frequently so that all dancers can participate in ways that feel safe and successful.
Download Course Syllabus
Basic Jazz | Aesthetically, Jazz can range from vernacular styles such as the Charleston and Jitterbug, to lyrical, commercial, and Broadway forms that many will recognize from contemporary pop culture. Basic Jazz classes at eXit SPACE are primarily informed by Euro-influenced forms of lyrical, commercial, and Broadway styles, while honoring the multifaceted nature of the form through an emphasis on individuality and stylistic range. As a new student to jazz dance, you will be guided through the structure of a dance class and the etiquette required from all dancers while in a studio. Classes begin with a comprehensive warm-up focusing on strength-building, flexibility, isolation, extension, and rhythm accompanied by a wide range of popular music selections from pop to Broadway. Rooted into the ground through use of deep plié (bent knees), movement combinations center and across the floor allow for an in-depth study on locomotor steps while advancing coordination, musicality, and self-expression. Jazz emphasizes strong footwork and confident gross motor movement, so eXit SPACE Basic students are presented with ideas and principles of movement as well as the fundamentals of rhythm, syncopation, isolation, and individual expression. Basic Jazz teachers provide options for modifications and alternative movements frequently so that all dancers of all ages, body types, and backgrounds can participate in ways that feel safe and successful.
Download Course Syllabus
Download Course Syllabus
Basic Ballet | Basic Ballet is geared towards adults of all ages, backgrounds, and body types looking for an introduction to classical ballet technique, vocabulary, and aesthetics. As a Basic Ballet student, you will be guided through the structure of a dance class and the etiquette required from all dancers in a studio, learning fundamentals of the technique through a traditional class structure: ballet barre followed by center floor and locomotor technique. At barre, dancers learn basic vocabulary from pliés and tendús to fondus and frappés, before moving out to the center floor where they practice stationary turns, extensions, and jumps. Basic Ballet students learn to waltz, leap, and turn across the floor with ample opportunities to modify movements as needed for individual safety and with a constant emphasis on dynamic alignment, strength development, body awareness, safety, artistic expression, and quality of movement throughout.
We at eXit SPACE acknowledge that ballet has a long history of exclusion – from socio-economic status, to skin color, body type, age, and level of training – but are proud to be one of a growing number of dance education facilities that stands on the firm notion that ballet is for everybody and every body with the intention of elevating individual artistic voices. Basic Ballet teachers provide options for modifications and alternative movements frequently so that all dancers can participate in ways that feel safe and successful!
Download Course Syllabus - Miranda
We at eXit SPACE acknowledge that ballet has a long history of exclusion – from socio-economic status, to skin color, body type, age, and level of training – but are proud to be one of a growing number of dance education facilities that stands on the firm notion that ballet is for everybody and every body with the intention of elevating individual artistic voices. Basic Ballet teachers provide options for modifications and alternative movements frequently so that all dancers can participate in ways that feel safe and successful!
Download Course Syllabus - Miranda
Basic Hip Hop Fundamentals and Movement Skills | Hip hop dance emerged in the late 1960's out of the South Bronx, an economically depressed neighborhood in New York City composed primarily of Black and Latinx families. As a way to connect with one another and distract from racial oppression and poverty, youth in the South Bronx (and later Brooklyn and Harlem) channelled their fear and anger into a new culture of movement and expression, often using vacant lots and abandoned buildings for house parties where the co-mingling of rapping, DJing, B-boying, and graffiti emerged as the pillars of hip hop culture. Basic Hip Hop classes at eXit SPACE are taught by instructors well-versed in the history of hip hop dance and skilled at integrating early hip hops steps and styles into movements that represent hip hop in its current state. As a new student to hip hop dance, you will be guided through the structure of a dance class and the etiquette required from all dancers in a studio while learning the nuances of individuality, rhythm, and theatricality. Basic Hip Hop classes begin with an aerobic warm up to practice fundamental steps and body isolations with clear dynamics, all the while building the necessary strength and flexibility for full-bodied movement. After warmup and skill building, dancers learn locomotor steps and choreography, advancing coordination, musicality and self-expression in doing so, ending the session with increased confidence, rhythm, and physical awareness.
Download Course Syllabus
Download Course Syllabus
Basic Tap | Against the backdrop of a historical framework, Basic Tap students at eXit SPACE are trained in fundamental rhythmic skills, footwork, and traditional tap dances, exploring more detailed and difficult steps, syncopated rhythms, and challenging progressions over time. Classes are influenced by both rhythm tap (which focuses on percussion, complex rhythms, and use of the feet as instruments) as well as Broadway style tap (which combines rhythm tap and jazz dance for a more theatrical aesthetic and physical storytelling). Basic Tap dancers will be guided through the structure of a dance class and the etiquette required from all dancers while in a studio; warm-up exercises designed to re-pattern movement habits, build balance and strength, and introduce different rhythmic patterns to prepare the student to move more fully, while combinations center and across the floor allow for an in-depth study on specific tap steps and their expressed rhythms. Throughout class, students are encouraged to use their whole body to feel the sounds their feet are making, find their own groove within the given steps, and advance coordination, musicality, and self-expression along the way.
Download Course Syllabus
Download Course Syllabus
Basic Beginning Burlesque | Delve into your sensuality and get comfortable in your own skin. This all ages (18+) and all backgrounds welcomed class will help you find a way to transform into a version of yourself you perhaps did not know existed.Through simple twirls, whirls and shimmies, explore a class inspired by the classic art of tease and reveal. Learn choreography by Scarlett Folds and experience the suppleness of slow burns, high energy movements and fun, titillating ways to strip.
Pricing
Adult Program Classes
|
$18 |
|
$165 |
|
$285 |
Gift Card | Variable |
Basic Series | Details Below |
Scholarships/Financial Assistance | Learn More |
**NOTE: Class cards expire 6 months after purchase date
Trouble purchasing / Need to check account? GET HELP
Performance Opportunities
20th Anniversary takePAUSE | Winter Edition
At eXit SPACE, our mission is to cultivate a supportive and enriching environment where dancers can discover or rediscover the power of dance. takePAUSE is eXit SPACE's biannual performance opportunity for adult dancers of all levels, which expands upon this mission through the cultivation of community, artistic expression, and performance.
eXit SPACE is proud to be entering its 20th season of dance in Seattle and we're celebrating with an exciting anniversary edition of takePAUSE, featuring eXit SPACE students and professional performers in works by some of your favorite and most iconic faculty - past and present! This year's 20th Anniversary takePAUSE | Winter Edition will be held at Broadway Performance Hall on Capitol Hill, just blocks from our very own NOD Theater in an auditorium seating 295 people. Enrollment is now open and pieces will fill up fast!
Performance Dates: January 17 - 19, 2025 @ Broadway Performance Hall
2025 Winter Edition Lineup:
- Beginning/Intermediate Modern with Marlo
- Beginning/Intermediate Ballet with Miranda
- Beginning/Intermediate Tap with Kara
- Intermediate Commercial Jazz with Tyra
- Intermediate/Advanced Modern with Wade
- Intermediate/Advanced Modern with Marlo
- Intermediate/Advanced Tap with Lauren
- Open Level Jazz with Annie
- Open Level Commercial Hip Hop with Tyra
Check out past eXit SPACE productions! Relive the experience by purchasing videos of prior performances
eXit SPACE Performance Videos
BASIC SERIES
If you've never taken a dance class before or are unfamiliar with a particular dance genre, never fear! The eXit SPACE basic class was designed specifically for dancers like you.
Enroll in a 9 week ballet, tap, jazz, modern or hip hop session -- class is 1 hour long, once a week.2025 Calendar | |
Fall Session | September 9 - November 10 |
Winter Session |
November 11 - February 2 No classes 11.28 - 12.1, 12.23 - 1.5, 1.20 Tuesday, Wednesday classes finish 1.26 |
Winter/Spring Session | February 3 - April 6 |
Spring Session | April 7 - June 9 No classes 5.26 Non-Monday classes finish 6.8 |
Summer Session | June 16 - August 24 No classes 6.19 Non-Thursday classes finish 8.17 |
Tuition | $130 Scholarships/financial assistance available Learn More |
Meet the FACULTY
- Marlo Martin Artistic Director Modern
- Annie Devuono Ballet
- Annie St Marie Ballet
- Bri Wilson Ballet
- Carol Davis Ballet
- DaeZhane Day Hip Hop, Modern
- Hayley Keller Modern, Floor Flow
- Kaitlin McCarthy Ballet
- Lauren Wlasichuk Tap, Jazz
- Miranda Chantelois Ballet, Jazz
- Nicole Flores Ballet, Jazz, Modern
- Robbi Moore Modern
- Roni Witbeck Modern
- Rose Amlin Jazz, Modern, Hip Hop
- Scarlett Folds/Micaela Gonzales Burlesque
- Tyra Rose Modern, Jazz, Hip Hop
- Wade Madsen Modern
Guest Faculty
- Alicia Mullikin Contemporary
- Amy J Lambert Modern
- Mike Esperanza Contemporary
- Joseph Schanbeck Jazz
**You must have an active MindBody Account to reserve a space in class or make purchases**
New to Exit Space / Access Account with MindBody Pop-Up
Issue not resolved? Please contact us at info@exitspacedance.com or call during our office hours
New to Exit Space / Access Account with MindBody Pop-Up
- Make sure pop-ups are enabled in your browser
- Make sure your browser accepts third party cookies from *.mindbodyonline.com
There are several types of browsers and many types of devices so instructions are best found by using a search engine. - If you have been taking class at eXit SPACE for longer than 5 years, contact us to check your account ID
- If you have multiple MindBody accounts and are using the phone app to access your account, you may have trouble. MindBody uses a single sign-on for all sites and your eXit SPACE access may be different. In this sitiation, we recommend not using the app to manage your account.
- Make sure pop-ups are enabled in your browser
- Make sure your browser accepts third party cookies from *.mindbodyonline.com
- If you have been taking class at eXit SPACE for longer than 5 years, contact us to check your account ID
- Try reserving from here: Reserve Classes
**remember to log out after you reserve. - Use the Adult Program Tab to see available classes
Please Note: MindBody uses cookies to control your experience on their website and in the pop-up. The cookies might conflict and cause the pop-up or website to behave unexpectedly.
Make sure you are logged out of the pop-up when accessing the website and vice versa.
Access your MindBody Account | click here
Make sure you are logged out of the pop-up when accessing the website and vice versa.
Access your MindBody Account | click here
eXit SPACE Mask Protocols
Throughout the Covid-19 pandemic, we have been carefully following CDC and public health guidelines so we can keep our community safe.
On July 5th many restrictions will be lifted for operation of our studios EXCEPT our mask mandate which is vaccinated dancers with proof of vaccination may unmask.
Here's how it works: If you're fully vaccinated (2 weeks after your second dose of the Pfizer or Moderna vaccine, or 2 weeks after a single dose of the J & J vaccine), upload your proof of vaccination to your mindbody account by following the steps below. With your account updated we will note that you are fully vaccinated, and you won't need to bring in proof of vaccination for subsequent visits.
** Proof of vaccination means you are fully vaccinated (no early uploads please!) and your card has been uploaded to MindBody or a member of the office staff has reviewed your card and updated your account as vaccination verified. Please do not show your card to an instructor and expect subsequent visits are approved for dancing unmasked. Please be responsible to our community so everyone can feel safe.
Steps to Uploading your vaccination card:
Please Note: It is not a HIPAA violation for us to ask for this information but we recognize some dancers do not want the information stored for any amount of time. If you do not want to upload your information, you may show your card to a member of the office staff so they can mark your account as verified.
If you do not wish to provide proof of vaccination or if you are not fully vaccinated, we ask that you respect the mandate and continue to dance with a mask. Additionally, there is no requirement to dance unmasked if vaccinated.
Original Communication regarding mask protocols: Learn More
Throughout the Covid-19 pandemic, we have been carefully following CDC and public health guidelines so we can keep our community safe.
On July 5th many restrictions will be lifted for operation of our studios EXCEPT our mask mandate which is vaccinated dancers with proof of vaccination may unmask.
Here's how it works: If you're fully vaccinated (2 weeks after your second dose of the Pfizer or Moderna vaccine, or 2 weeks after a single dose of the J & J vaccine), upload your proof of vaccination to your mindbody account by following the steps below. With your account updated we will note that you are fully vaccinated, and you won't need to bring in proof of vaccination for subsequent visits.
** Proof of vaccination means you are fully vaccinated (no early uploads please!) and your card has been uploaded to MindBody or a member of the office staff has reviewed your card and updated your account as vaccination verified. Please do not show your card to an instructor and expect subsequent visits are approved for dancing unmasked. Please be responsible to our community so everyone can feel safe.
Steps to Uploading your vaccination card:
- First, sign in to your mindbody account
- Click on Documents.
- Choose the file and click Upload
- Click on Profile or the Login/My Info tab
- Click on Edit in the Personal section and switch "Vaccine Card Uploaded?" to YES
- Click on Save.
- Sign Out **Not signing out may interfere with purchasing/reserving classes.
Please Note: It is not a HIPAA violation for us to ask for this information but we recognize some dancers do not want the information stored for any amount of time. If you do not want to upload your information, you may show your card to a member of the office staff so they can mark your account as verified.
If you do not wish to provide proof of vaccination or if you are not fully vaccinated, we ask that you respect the mandate and continue to dance with a mask. Additionally, there is no requirement to dance unmasked if vaccinated.
Original Communication regarding mask protocols: Learn More
takePAUSE 2025 - Winter Edition
- Performance Dates: January 17 - 19, 2025 | Broadway Performance Hall
- $265 per workshop.
- Be patient -- sign up may take a moment to load!
20th Anniversary takePAUSE | Winter Edition
REGISTRATION CLOSED -- See you at the show!Adult dancers have the opportunity to enroll in one or more choreographic experiences, spending 1-3 months rehearsing with some of Seattle's foremost modern, jazz, ballet, tap, and hip hop choreographers. The takePAUSE experience culminates in a professional level production produced by eXit SPACE.
- Performance Dates: January 17 - 19, 2025 | Broadway Performance Hall
- $265 per workshop.
Marlo is thrilled to offer a Beg/Int Modern work for dancers to perform at takePAUSE Winter Edition. Her approach is patient and detailed, balanced with offering creative and physical opportunities for the dancer to grow. Come explore new pathways, different ways of working in and out of the floor, moments of weight-share and partnering, along with full bodied, heartfelt movement.
Sundays 12 - 1:30p ~ Studio Oakland
October 27
November 10, 24
December 8, 22
January 5
*** December 8 will be at Studio SEA
Sundays 12 - 1:30p ~ Studio Oakland
October 27
November 10, 24
December 8, 22
January 5
*** December 8 will be at Studio SEA
Dearest Readers,
The ton is abuzz at the announcement of the anniversary ball, which will surely be the event of the season. This author finds herself enamored at the thought of such an opulent affair and has therefore been toiling away in preparation to present a work of her own – one which shall undoubtedly draw the eye of the Queen herself! In fact, it is with but humble anticipation that I ask of you, dear readers, to reserve a space on your dance card for this gracious author and dancemaker, for we all must know that this social season (of which there have been a tremendous nineteen prior), only the most remarkable works of brilliance will do. Whether we take to the floor for a minuet, quadrille, or a waltz has not yet been decided... But make haste! Only those who fly like the wind shall be promised a position much desired!
Yours Truly,
Lady Whistledown
[Translation: Beginning and Intermediate level dancers with a strong grasp on ballet fundamentals are invited to participate in a Bridgerton-themed work set to the now-iconic Netflix series soundtrack, including your favorite Vitamin String Quartet pop hit covers. Rich with balletic partnering influenced by Regency-era country line and circle dances, this piece will be a playful ode to dance history with a contemporary Shondaland twist. Dancers are highly encouraged to sign up with a friend to ensure even numbers!]
Saturdays ~ Studio SEA
October 19, 26: 1:45-3:15pm
November 2: 6:15-7:45pm
November 16: 8-9:30pm
November 23: 1:45-3:15pm
December 7: 1:45-3:15pm
December 14: 8-9:30pm
December 21: 1:45-3:15pm
**FRIDAY January 3: 7:30-9pm
January 11: 1:45-3:15pm
The ton is abuzz at the announcement of the anniversary ball, which will surely be the event of the season. This author finds herself enamored at the thought of such an opulent affair and has therefore been toiling away in preparation to present a work of her own – one which shall undoubtedly draw the eye of the Queen herself! In fact, it is with but humble anticipation that I ask of you, dear readers, to reserve a space on your dance card for this gracious author and dancemaker, for we all must know that this social season (of which there have been a tremendous nineteen prior), only the most remarkable works of brilliance will do. Whether we take to the floor for a minuet, quadrille, or a waltz has not yet been decided... But make haste! Only those who fly like the wind shall be promised a position much desired!
Yours Truly,
Lady Whistledown
[Translation: Beginning and Intermediate level dancers with a strong grasp on ballet fundamentals are invited to participate in a Bridgerton-themed work set to the now-iconic Netflix series soundtrack, including your favorite Vitamin String Quartet pop hit covers. Rich with balletic partnering influenced by Regency-era country line and circle dances, this piece will be a playful ode to dance history with a contemporary Shondaland twist. Dancers are highly encouraged to sign up with a friend to ensure even numbers!]
Saturdays ~ Studio SEA
October 19, 26: 1:45-3:15pm
November 2: 6:15-7:45pm
November 16: 8-9:30pm
November 23: 1:45-3:15pm
December 7: 1:45-3:15pm
December 14: 8-9:30pm
December 21: 1:45-3:15pm
**FRIDAY January 3: 7:30-9pm
January 11: 1:45-3:15pm
This tap piece will explore grounding ways to tap and ask dancers to intertwine their rhythms with the selected music.
Sundays ~ Studio B (theNEST)
November 17: 5-7pm
November 24: 5:30-7:30pm
December 8: 7:30-9:30pm
December 15: 6-8pm
January 5: 5-7pm
January 12: 5-7pm
Sundays ~ Studio B (theNEST)
November 17: 5-7pm
November 24: 5:30-7:30pm
December 8: 7:30-9:30pm
December 15: 6-8pm
January 5: 5-7pm
January 12: 5-7pm
This is a high energy, sassy commercial jazz work. Filled with long lines, jumps, turns and all the jazz walks you can get in one place. Tyra's commercial jazz work incorporates technical dancing with gestural phrases and saucy character work. Three to five years of jazz training recommended. Come check out Tyra's drop-in jazz classes to get a taste, or take a peek at her instagram, @tyrarose_k, to catch a vibe.
Saturdays
November 2: 2 - 4pm Studio SEA
November 16: 2 - 5pm Studio SEA
December 14: 2 - 5pm Studio SEA
January 11: 2 - 5pm Studio NOD
Saturdays
November 2: 2 - 4pm Studio SEA
November 16: 2 - 5pm Studio SEA
December 14: 2 - 5pm Studio SEA
January 11: 2 - 5pm Studio NOD
In this dance and when I make dances, it is about the process: I focus on who is in the room.
It is important that I collaborate with the dance artists in the room.
I hope to create a work that showcases each dancer and also culminates in a project that is fully a group work/community. I often create works that are about the individuals that support the group. I am asking that dancers in the work take my class on a regular basis as the work I want to make will demand a strong ability to do the movement in my class with technical proficiency.
Mondays 8:30-9:45pm ~ Studio NOD
October 21 - December 16
January 6, 13
It is important that I collaborate with the dance artists in the room.
I hope to create a work that showcases each dancer and also culminates in a project that is fully a group work/community. I often create works that are about the individuals that support the group. I am asking that dancers in the work take my class on a regular basis as the work I want to make will demand a strong ability to do the movement in my class with technical proficiency.
Mondays 8:30-9:45pm ~ Studio NOD
October 21 - December 16
January 6, 13
Join in on a luscious and expansive movement experience. Marlo melds the physicality of dance with the tenderness and at times, challenges, of the human heart. Full bodied and emotional, come move through space with dynamics and effort while playing with new concepts and ideas to further develop your dance vocabulary and capabilities as a performer.
Saturdays 9 - 10:30a ~ Studio NOD
October 26
November 9, 23
December 7, 21
January 4
Saturdays 9 - 10:30a ~ Studio NOD
October 26
November 9, 23
December 7, 21
January 4
This tap piece is intended for intermediate/advanced tap dancers looking to challenge themselves with advanced rhythms and a strong stage presence! Lauren strives to take dancers through a takePAUSE rehearsal process that is both fun and rewarding, with weekly rehearsals a great theme!
Sundays 10 - 11am ~ Studio B (theNEST)
October 20, 27: 10-11am
November 3, 17, 24: 10-11am
December 8, 15: 10-11am
***SATURDAY January 11: 9-10:30am Studio NOD
Sundays 10 - 11am ~ Studio B (theNEST)
October 20, 27: 10-11am
November 3, 17, 24: 10-11am
December 8, 15: 10-11am
***SATURDAY January 11: 9-10:30am Studio NOD
This piece will be fun and theatrical with sections to spotlight all levels of dancers. Set to Sammy Rae and the Friends, Denim Jacket, we'll be embodying confidence and radiating joy in our denim jackets.
Sundays 4 - 6p ~ Studio SEA
October 20, 27
November 10, 17
December 1, 8
January 5
Sundays 4 - 6p ~ Studio SEA
October 20, 27
November 10, 17
December 1, 8
January 5
We'll get our hips shaking and our bodies rolling in this commercial hip hop/jazz piece. Influenced by hip hop grooves, footwork and beats. Blended together with jazz line, gesture and boldness. This flirty and fun piece will be sure to get your friends and family out of their seats at the show wanting to dance along with you! Come to Tyra's Monday night power hour drop-in class to get a taste of what the experience would be like!
Saturdays
November 2: 4 - 6pm Studio SEA
November 16: 5 - 8pm Studio SEA
December 14: 5 - 8pm Studio SEA
January 11: 5 - 8pm Studio NOD
Saturdays
November 2: 4 - 6pm Studio SEA
November 16: 5 - 8pm Studio SEA
December 14: 5 - 8pm Studio SEA
January 11: 5 - 8pm Studio NOD
takePAUSE 2024 - Spring Edition
Adult dancers have the opportunity to enroll in one or more choreographic experiences, spending 1-3 months rehearsing with some of Seattle's foremost modern, jazz, ballet, tap, and hip hop choreographers. The takePAUSE experience culminates in a professional level production produced by eXit SPACE | NOD Theater on Capitol Hill.- Performance Dates: May 17 - 19, 2024 | 8:00p @ NOD Theater
- $225 per workshop.
Please note rehearsal dates, times and locations in the details below.
Confirmation emails and checkout screens presented by MindBody may not provide complete information.
~ Thank you ~
Join Tyra for a community oriented rehearsal process where we get into our feelings and dance from the heart and soul. This piece will reflect the human experience in all of its beauty and will include beginning level modern technique, floor work, and partnering. Come check out Tyra's Sunday morning beginning level modern class for a better understanding of her movement and choreography, or check out her Instagram at @tyrarose_k
Saturdays 1:45-3:45pm ~ theNEST Studio A
Feb 24
March 2, 9, 23
April 6, 13
May 4, 11
Saturdays 1:45-3:45pm ~ theNEST Studio A
Feb 24
March 2, 9, 23
April 6, 13
May 4, 11
Mamma Mia! We're doing an ABBA mashup rich with directional phrase work, strong lines, technical turns, and a heavy character element to musical excerpts of "Take a Chance on Me," "Waterloo," and "Gimme Gimme Gimme." Expect lots of formational changes, unison choreography, and opportunities for individual expression. Bell bottoms and boas required!
Saturdays 12:15-1:45pm ~ Studio SEA
Feb 24 through May 12
NO rehearsal 3.9, 3.30, 4.6 and 4.13
Saturdays 12:15-1:45pm ~ Studio SEA
Feb 24 through May 12
NO rehearsal 3.9, 3.30, 4.6 and 4.13
Celebrate the warming weather with pool vibes and a flurry of lawn flamingos! We'll be making a summery-fun ballet piece that embraces comedy and joyous dancing while employing ballet technique. Rehearsals are scheduled immediately after Kaitlin's Beginning Ballet so dancers will already be warmed up and ready to rehearse. If attending class beforehand is not possible, dancers must be regularly enrolled in ballet and be able to warm themselves up prior to rehearsal.
Sundays 12:15-1:30 ~ Studios Oakland and NOD
February 25 through May 12
Studio NOD: Feb 25, March 10 & 24, April 7 & 21, May 5
Studio Oakland: March 3, 17, & 31, April 14 & 28, May 12
Sundays 12:15-1:30 ~ Studios Oakland and NOD
February 25 through May 12
Studio NOD: Feb 25, March 10 & 24, April 7 & 21, May 5
Studio Oakland: March 3, 17, & 31, April 14 & 28, May 12
This fun piece will be based in classic jazz technique meaning lots of strong lines, kicks, jumps, and turns and will be appropriate for dancers currently training at an Intermediate Level. Bring your sparkly personality and your #jazzhands for this one. Caution, spontaneous laughter may occur! Come to my Thursday night Intermediate Jazz class 7-8:30pm to brush up on your technique. Have questions? karen@exitspacedance.com
Saturdays 2 - 4:30p ~ Studio Sea (unless noted)
March 2, 23 & 30
April 20
**Sunday April 21: 3:30 - 4:30p @ NOD
Saturdays 2 - 4:30p ~ Studio Sea (unless noted)
March 2, 23 & 30
April 20
**Sunday April 21: 3:30 - 4:30p @ NOD
In this modern-day ballet piece, with non-traditional melodies, we will play with a little darkness and light while the music carries us through emotion and grace. Welcome to any beginning, intermediate, and advanced level ballet dancers eager to bring a story to life together. There are opportunities to shine as leads, gleam in a group, and be on stage just for the joy. I’m excited to dive into feelings, performance technique, and create this work with you!
Sundays 4:30-630pm ~ theNEST Studio B
Feb 24 through May 15
Sundays 4:30-630pm ~ theNEST Studio B
Feb 24 through May 15
This piece will be an upbeat, high energy tap dance that encourages dancers to engage with rhythm in their whole body.
Sundays 9-10:30am ~ Studio NOD
February 25
March 3, 17, 31
Aril 14, 28
May 12
Sundays 9-10:30am ~ Studio NOD
February 25
March 3, 17, 31
Aril 14, 28
May 12
We will be exploring the concept of falling and all of the emotional and physical ways we can "fall." This piece will explore partnering, but no partnering experience is necessary, and performance quality. The dance will be set to "I Am Going Home" by Roseaux and Ben L'Oncle Soul.
Sunday 4:30-6:30p ~ Studio SEA
February 18
March 3, 10, 24
April 7, 28
May 12
Sunday 4:30-6:30p ~ Studio SEA
February 18
March 3, 10, 24
April 7, 28
May 12
Join in on a luscious and expansive movement experience. Marlo melts the physicality of dance with the tenderness and at times, challenges, of the human heart. Full bodied and emotional, come move through space with dynamics and effort while playing with new concepts and ideas to further develop your dance vocabulary and capabilities as a performer.
Rehearsals/setting the work will be in a workshop style context.
Dancers must be available for all rehearsals.
Sunday, April 14 10:30a - 1:30p Studio NOD
Sunday, April 28 1:30 - 5p Studio Oakland
Saturday, May 11 2 - 4:30p Studio NOD
Rehearsals/setting the work will be in a workshop style context.
Dancers must be available for all rehearsals.
Sunday, April 14 10:30a - 1:30p Studio NOD
Sunday, April 28 1:30 - 5p Studio Oakland
Saturday, May 11 2 - 4:30p Studio NOD
Expect high energy, action-packed rehearsals where you get to flaunt your acting skills and tell a story through movement! This dance will include jazz-based movements such as kicks, turns, and leaps, so it is best for those currently training at an Intermediate or Advanced Level. Have questions? karen@exitspacedance.com
Saturdays 4:30 - 7p ~ Studio SEA (unless noted)
March 2, 23 & 30
April 20
**Sunday April 21: 4:30 - 5:30p @ NOD
Saturdays 4:30 - 7p ~ Studio SEA (unless noted)
March 2, 23 & 30
April 20
**Sunday April 21: 4:30 - 5:30p @ NOD
*** Gift Cards ***
Support our dance community and bring joy to your favorite dancer by purchasing classes, gift cards and basic passes this holiday season!
|
|
|
eXit SPACE will be offering a limited selection of classes over the Holiday break.
*** Holiday Schedule ***
12.18 - 12.31
12.18 - 12.31
Monday 12.18 | Open ballet w/Annie S 6:30p Broadway Jazz w/Karen 8p Commercial choreography (power hour) w/Tyra 8p |
Tuesday 12.19 | Beg Ballet and Conditioning w/Miranda 6:30p Sensual Floorwork Workshop w/Scarlett (Micaela) 7:30p |
Wednesday 12.20 | Int-Adv Modern w/Marlo 6p Int ballet w/Annie S 6:30p |
Thursday 12.21 | Beg Modern w/Tyra 6p (**@ NOD) Int Jazz w/Karen 7p Int-Adv Contemporary w/Tyra 7:30p (**@ NOD) |
Friday 12.22 | Open Ballet w/Nikki 10a Beg/Int Ballet w/Nikki 6:30p Pointe w/Nikki 8p |
Saturday 12.23 | Beg Ballet and Conditioning w/Nikki 9a Open ballet w/Annie S 10:30a |
Sunday 12.24 | Int-Adv Modern w/Marlo 10:30a |
Monday 12.25 | CLOSED ~ No Classes |
Tuesday 12.26 | Beg Ballet and Conditioning w/Miranda 6:30p |
Wednesday 12.27 | Int-Adv Modern w/Marlo 6p Int ballet w/Annie S 6:30p |
Thursday 12.28 | Beg Modern w/Tyra 6p (**@ NOD) Int Jazz w/Karen 7p Int-Adv Contemporary w/Tyra 7:30p (**@ NOD) |
Friday 12.29 | Open Ballet w/Nikki 10a Beg/Int Ballet w/Nikki 6:30p Pointe w/Nikki 8p |
Saturday 12.30 | Beg Ballet and Conditioning w/Nikki 9a Open ballet w/Annie S 10:30a |
Sunday 12.31 | Open ballet w/Annie S 10:30a |
Monday 1.1 | CLOSED ~ No Classes Happy New Year! |
Scholarships and Financial Support
Support | eXit SPACE has several programs to provide financial assistance to students in need of support. Payment plans, work study positions, and scholarships for BIPOC and young dancers are some of the methods employed to ease financial burden and enable dance education.
Financial Support Application
Work Study Application
If you would like more detailed information, please reach out and contact info@exitspacedance.com
Financial Support Application
Work Study Application
If you would like more detailed information, please reach out and contact info@exitspacedance.com
Partnering Fundamentals Workshops
4 - 6:30p | Studio A | $50
July 15 ~ Tyra and Kara
August 12 ~ Tyra and Bri
July 15 ~ Tyra and Kara
August 12 ~ Tyra and Bri
These workshops focus on partnering fundamentals; beginning with how to connect to other dancers and leading into weight sharing and airborne lifts. Participants will learn skills to apply to choreographed lifts as well as how to improvise with a partner. During these two and a half hour workshops, the instructors will lead dancers in how to counterbalance, how to connect and disconnect from a partner safely, and how to use various parts of the body to exchange weight and lift a partner into the air.
Pre-registration Required ~ Sign up below.
Pre-registration Required ~ Sign up below.
~ Artist Class Series ~
PROPEL Artist Class Series
Saturday, February 17 | NOD Theater
2-3:15pm | Ron Smith
Jazz Funk and Commercial Hip Hop
A blend of Jazz Funk and Commercial Hip Hop. This class, tailored for the driven dancer, focuses on precision technique and current choreography. Whether you're on a professional trajectory or refining existing skills, this is where contemporary meets mastery. Let's dance!
3:15-4:45pm | Margaux Gex
Adv Contemporary
Moving from technical and improvisational exercises for warm up into a floor-work combo across the floor, to end with a musical and athletic combo
5-6:15pm | maia melene d’urfé
Adv Improvisation & Contemporary
Maia's class will guide participants through improvisational techniques that challenge the body and mind to access all parts of the body through a variety of visceral textures, musicality, and spatial trajectories. We will explore pieces of knowledge and principles learned from Maia's experience with Forsythe Technologies, house dance, breaking, Undercurrent and more, as well as some phrase work seen in the piece.
See ADP Class Schedule for sign up (opens 2.10)
$18 drop in or class card
~ Ballet with Annie DeVuono ~
Summer locations
Summer locations
Welcome to the summer season of dance at eXit SPACE!
Due to youth summer camps and workshops taking place at our Greenlake studios on weekday mornings, please be aware of the following location shifts impacting Annie DeVuono's ballet classes.
~
All other days (not listed), Annie's classes will be held at it's usual location at Studio SEA in Greenlake.
July 8 - 12, 2024
Tues/Thurs: Oakland (Capitol Hill)
Friday: Studio B (Greenlake)
July 15 - 21, 2024
Tues/Thurs: Oakland (Capitol Hill)
Friday: Studio B (Greenlake)
July 29 - August 4, 2024
Tuesday: No class
Thursday: Oakland (Capitol Hill)
Friday: Studio B (Greenlake)
Thank you in advance for your flexibility! We cater to a wide demographic of students and your flexibility is so appreciated as we navigate a complex schedule for hundreds of students. Please continue to check MindBody before attending classes as it is the most up-to-date source of information.
Due to youth summer camps and workshops taking place at our Greenlake studios on weekday mornings, please be aware of the following location shifts impacting Annie DeVuono's ballet classes.
~
All other days (not listed), Annie's classes will be held at it's usual location at Studio SEA in Greenlake.
July 8 - 12, 2024
Tues/Thurs: Oakland (Capitol Hill)
Friday: Studio B (Greenlake)
July 15 - 21, 2024
Tues/Thurs: Oakland (Capitol Hill)
Friday: Studio B (Greenlake)
July 29 - August 4, 2024
Tuesday: No class
Thursday: Oakland (Capitol Hill)
Friday: Studio B (Greenlake)
Thank you in advance for your flexibility! We cater to a wide demographic of students and your flexibility is so appreciated as we navigate a complex schedule for hundreds of students. Please continue to check MindBody before attending classes as it is the most up-to-date source of information.
** PLEASE READ FOR POLICY INFORMATION AND LIABILITY WAIVER**
I acknowledge that I am 18 years or older, that I am registering myself or on behalf of my child who is under 18 years old (either party to be called I), that I am in good health and capable of undergoing the course of exercise and/or dance for which I am enrolling in at Exit Space LLC.
I acknowledge that I have been advised by Exit Space LLC. to seek a professional medical consultation for any medical, physical, emotional problems that may affect my ability to exercise and/or dance.
If I enroll in the Young Dancer Program (YDP) I realize eXit SPACE offers a 9 month program and that I am signing up my child for the entire 9 months, and that tuition is due in full or in 4 installments. I realize that I am required to follow the eXit SPACE YDP un-enrollment policy which states that a parent must give written or verbal notice 1 month prior to discontinuation. I understand ALL tuition is non-refundable; however, exceptions are made with a doctor’s note stating the medical reason necessary for withdrawal or if a class is cancelled due to low enrollment and a substitution is not available. Please provide one month’s advance notice if a student plans to leave the program.
I realize I assume all responsibility and risk for any injury or damages which I might sustain either directly or indirectly from any cause whatsoever related to the course of exercise and/or dance I participate in at Exit Space LLC.
I understand eXit SPACE is not liable for any injury, health concerns, or illnesses now or in the future both related to and unrelated to the COVID-19 epidemic. Failure to adhere to any and all of the health and safety measures outlined by or posted at eXit SPACE will result in termination of the use of eXit SPACE facilities.
I hereby discharge and release Exit Space LLC., any of its members, faculty, employees and/or representatives from any and all matters of action, suits, liens, debts, agreements, promises, liabilities, claims, rights, obligations, losses, and damages of any nature whatsoever, known or unknown, which I now have or may here after have against any person of Exit Space LLC.
I realize that I am responsible for all personal belongings which I bring into Exit Space LLC. Exit Space is not liable for my personal belongings.
I acknowledge that I have carefully read and understand this entire document before checking the box below and by checking the box below I agree to all stated terms and conditions.
I acknowledge that I am 18 years or older, that I am registering myself or on behalf of my child who is under 18 years old (either party to be called I), that I am in good health and capable of undergoing the course of exercise and/or dance for which I am enrolling in at Exit Space LLC.
I acknowledge that I have been advised by Exit Space LLC. to seek a professional medical consultation for any medical, physical, emotional problems that may affect my ability to exercise and/or dance.
If I enroll in the Young Dancer Program (YDP) I realize eXit SPACE offers a 9 month program and that I am signing up my child for the entire 9 months, and that tuition is due in full or in 4 installments. I realize that I am required to follow the eXit SPACE YDP un-enrollment policy which states that a parent must give written or verbal notice 1 month prior to discontinuation. I understand ALL tuition is non-refundable; however, exceptions are made with a doctor’s note stating the medical reason necessary for withdrawal or if a class is cancelled due to low enrollment and a substitution is not available. Please provide one month’s advance notice if a student plans to leave the program.
I realize I assume all responsibility and risk for any injury or damages which I might sustain either directly or indirectly from any cause whatsoever related to the course of exercise and/or dance I participate in at Exit Space LLC.
I understand eXit SPACE is not liable for any injury, health concerns, or illnesses now or in the future both related to and unrelated to the COVID-19 epidemic. Failure to adhere to any and all of the health and safety measures outlined by or posted at eXit SPACE will result in termination of the use of eXit SPACE facilities.
I hereby discharge and release Exit Space LLC., any of its members, faculty, employees and/or representatives from any and all matters of action, suits, liens, debts, agreements, promises, liabilities, claims, rights, obligations, losses, and damages of any nature whatsoever, known or unknown, which I now have or may here after have against any person of Exit Space LLC.
I realize that I am responsible for all personal belongings which I bring into Exit Space LLC. Exit Space is not liable for my personal belongings.
I acknowledge that I have carefully read and understand this entire document before checking the box below and by checking the box below I agree to all stated terms and conditions.
Marlo Martin
Artistic Director
Marlo Martin is a director, choreographer, teacher, and producer in Seattle, WA. She finds fulfillment and joy in celebrating and practicing all that encompasses and defines dance. Martin founded and currently directs eXit SPACE, a center for dance education and performance opportunities for the beginning student through professional level dancer. Martin has grown eXit SPACE from a single room studio (2006) with two teachers into a 2900 square foot facility with three studio spaces, 14 faculty members, housing for local dance companies, and over 80 classes per week.
While developing eXit SPACE Marlo has also continued to work as a choreographer. She has created works for her own company, oaklanDrive (2005-2009) and badmarmarDANCE (2010-2015). Since moving to Seattle in 2002 her work has been presented at numerous concerts and festivals including The Bridge Project Velocity Dance Center, the High Wire Series Seattle U, 12 Minutes Max On the Boards (2005, 2010, 2012), BASH theater, Redd Legg Dance, A Moving Conversation The Fremont Abbey, Evoke Dance Production's Full Tilt, Beyond the Threshold / Spotlight on Seattle (2011, 2013, 2015), the BOOST dance festival (2010-15), the Fall Kick Off Velocity Dance Center, NEXTfest NW Velocity Dance Center, self-produced full length tenSIDES (2012) and SPLIT BILL (2013), Cornish Dance Theater, Bellingham Rep Dance, Strictly Seattle (2013/2015), and Western Michigan University Dept. of Dance.
In 2016 Martin forged on to create a new artist's space called theNEST. It hosts major dance companies, workshops, classes, and events in the Greenlake neighborhood of Seattle. As a producer Marlo proudly presents the bi-annual BOOST dance festival, featuring PNW contemporary dance artists and companies alongside with the BOOSTmeUp Dance Festival for pre-professional dancers and schools.
Currently you can find Marlo teaching weekly technique classes at eXit SPACE while co-directing the pre-professional division, thePROGRAM . She has been a dance faculty member at Cornish College for the Arts. Ms. Martin is currently focusing on the development of NOD Theater in partnership with eXit SPACE and looks forward to doing her part to cultivate art, community, and positivity through dance in Seattle.
She is genuinely interested in sharing her vision and ideas through teaching and creating dance, by developing forums for the exploration and presentation of dance works, and by supporting and nurturing fellow dancers, artists, and director.
marlo@exitspacedance.com>>
Artistic Director
Marlo Martin is a director, choreographer, teacher, and producer in Seattle, WA. She finds fulfillment and joy in celebrating and practicing all that encompasses and defines dance. Martin founded and currently directs eXit SPACE, a center for dance education and performance opportunities for the beginning student through professional level dancer. Martin has grown eXit SPACE from a single room studio (2006) with two teachers into a 2900 square foot facility with three studio spaces, 14 faculty members, housing for local dance companies, and over 80 classes per week.
While developing eXit SPACE Marlo has also continued to work as a choreographer. She has created works for her own company, oaklanDrive (2005-2009) and badmarmarDANCE (2010-2015). Since moving to Seattle in 2002 her work has been presented at numerous concerts and festivals including The Bridge Project Velocity Dance Center, the High Wire Series Seattle U, 12 Minutes Max On the Boards (2005, 2010, 2012), BASH theater, Redd Legg Dance, A Moving Conversation The Fremont Abbey, Evoke Dance Production's Full Tilt, Beyond the Threshold / Spotlight on Seattle (2011, 2013, 2015), the BOOST dance festival (2010-15), the Fall Kick Off Velocity Dance Center, NEXTfest NW Velocity Dance Center, self-produced full length tenSIDES (2012) and SPLIT BILL (2013), Cornish Dance Theater, Bellingham Rep Dance, Strictly Seattle (2013/2015), and Western Michigan University Dept. of Dance.
In 2016 Martin forged on to create a new artist's space called theNEST. It hosts major dance companies, workshops, classes, and events in the Greenlake neighborhood of Seattle. As a producer Marlo proudly presents the bi-annual BOOST dance festival, featuring PNW contemporary dance artists and companies alongside with the BOOSTmeUp Dance Festival for pre-professional dancers and schools.
Currently you can find Marlo teaching weekly technique classes at eXit SPACE while co-directing the pre-professional division, thePROGRAM . She has been a dance faculty member at Cornish College for the Arts. Ms. Martin is currently focusing on the development of NOD Theater in partnership with eXit SPACE and looks forward to doing her part to cultivate art, community, and positivity through dance in Seattle.
She is genuinely interested in sharing her vision and ideas through teaching and creating dance, by developing forums for the exploration and presentation of dance works, and by supporting and nurturing fellow dancers, artists, and director.
marlo@exitspacedance.com>>
Alicia Mullikin
Alicia Mullikin is a first generation Mexican-American and Native American dance artist and educator who strives to serve her community through activism in the arts. She holds an MA in Dance from Cal State University of Long Beach. Alicia is the director of EL SUEÑO, a company that uses dance as a gateway to community engagement, healing, and empowerment for marginalized communities. Her choreography weaves ancient and contemporary identities into physical manifestations that draw from her rich cultural experiences and deep-rooted ancestral ties. Through all of her work, Alicia aims to empower BIPOC communities and nurture the next generation of dance artists. She was recently featured in an Emmy winning episode of Borders & Heritage: Los Artists which screened on PBS and the Seattle Latino Film Festival. Visit aliciamullikin.com for more info and follow @el.sueno.dance on IG for upcoming events.
Alicia Mullikin is a first generation Mexican-American and Native American dance artist and educator who strives to serve her community through activism in the arts. She holds an MA in Dance from Cal State University of Long Beach. Alicia is the director of EL SUEÑO, a company that uses dance as a gateway to community engagement, healing, and empowerment for marginalized communities. Her choreography weaves ancient and contemporary identities into physical manifestations that draw from her rich cultural experiences and deep-rooted ancestral ties. Through all of her work, Alicia aims to empower BIPOC communities and nurture the next generation of dance artists. She was recently featured in an Emmy winning episode of Borders & Heritage: Los Artists which screened on PBS and the Seattle Latino Film Festival. Visit aliciamullikin.com for more info and follow @el.sueno.dance on IG for upcoming events.
Amy J Lambert
Amy J Lambert (she/her) has been a member of the eXit SPACE family since 2013 teaching both in the youth and adult programs. She can tell you firsthand the joy and generosity of being a part of this dance community. You might find her teaching any number of classes (Modern, Ballet, Jazz), choreographing for takePAUSE, or working in the studio as an Artist In Residence creating new works. In addition to teaching Amy J is a dance artist who playfully choreographs and directs in the realms of theater and concert dance. She obtained her BFA in Dance from Cornish College of the Arts and has been an active dance maker, producer, and educator ever since. She is currently the artistic director and choreographer for AJnC Dance-Theater, which presents whimsical and engaging works acclaimed as both “an entertaining comedy and a sustained reflection on the role of comic performance art in our time.” (Deconstruct) Learn more at www.AmyJLambert.com
Amy J Lambert (she/her) has been a member of the eXit SPACE family since 2013 teaching both in the youth and adult programs. She can tell you firsthand the joy and generosity of being a part of this dance community. You might find her teaching any number of classes (Modern, Ballet, Jazz), choreographing for takePAUSE, or working in the studio as an Artist In Residence creating new works. In addition to teaching Amy J is a dance artist who playfully choreographs and directs in the realms of theater and concert dance. She obtained her BFA in Dance from Cornish College of the Arts and has been an active dance maker, producer, and educator ever since. She is currently the artistic director and choreographer for AJnC Dance-Theater, which presents whimsical and engaging works acclaimed as both “an entertaining comedy and a sustained reflection on the role of comic performance art in our time.” (Deconstruct) Learn more at www.AmyJLambert.com
Annie Devuono
Annie de Vuono (she/her) brings a wealth of practical and professional experience to her teaching and an ability to access students of all ages and levels. An emphasis on personal enrichment and a contagious joy for movement are as integral to her classes as unraveling the mysteries of different rhythms and encouraging fellow dancers to connect physically and emotionally. Annie began her training in Cecchetti method at Evanston School of Ballet, then studied at Ruth Page under Larry Long and went to Giordano Dance Chicago for modern and jazz. After moving to Seattle, she attended Cornish College of the Arts under Karen Irvin. Her teaching began in 1979 while being mentored by Helen Salter, an original member of Ballet Society, Balanchine's first company in this country. It was under Ms. Salter's guidance that her passion to teach was fully realized.
In addition to dance, Annie began working with costume design in 1985 and introduced her own millinery line; this was followed by numerous private commissions and eventually international recognition for her headwear devuonohats.com
Annie de Vuono (she/her) brings a wealth of practical and professional experience to her teaching and an ability to access students of all ages and levels. An emphasis on personal enrichment and a contagious joy for movement are as integral to her classes as unraveling the mysteries of different rhythms and encouraging fellow dancers to connect physically and emotionally. Annie began her training in Cecchetti method at Evanston School of Ballet, then studied at Ruth Page under Larry Long and went to Giordano Dance Chicago for modern and jazz. After moving to Seattle, she attended Cornish College of the Arts under Karen Irvin. Her teaching began in 1979 while being mentored by Helen Salter, an original member of Ballet Society, Balanchine's first company in this country. It was under Ms. Salter's guidance that her passion to teach was fully realized.
In addition to dance, Annie began working with costume design in 1985 and introduced her own millinery line; this was followed by numerous private commissions and eventually international recognition for her headwear devuonohats.com
Annie St Marie
Annie St.Marie (he/she/they) is a dance artist from the greater Seattle area. They trained for eight years at the Pacific Northwest Ballet School and went on to graduate magna cum laude with their BFA in Dance from Cornish College of the Arts through the dance department's three year Accelerated Degree Program. Annie has been fortunate to dance in work by Bruce Wells, Wade Madsen, Alia Swersky, Bruce McCormick, Bruno Roque, and Danielle Agami. Annie is equally passionate about classical and contemporary ballet and spends their free time training in acrobatic dance styles.
Annie St.Marie (he/she/they) is a dance artist from the greater Seattle area. They trained for eight years at the Pacific Northwest Ballet School and went on to graduate magna cum laude with their BFA in Dance from Cornish College of the Arts through the dance department's three year Accelerated Degree Program. Annie has been fortunate to dance in work by Bruce Wells, Wade Madsen, Alia Swersky, Bruce McCormick, Bruno Roque, and Danielle Agami. Annie is equally passionate about classical and contemporary ballet and spends their free time training in acrobatic dance styles.
Bri Wilson
Bri Wilson (she/her) grew up in northern Michigan before earning her BFA in dance at the Alonzo King LINES Ballet BFA Program at Dominican University of California. Since moving to Seattle in 2018, she has performed for The Three Yells, The Gray, Maia Durfee, Elia Mrak, and others while teaching at various settings across the city including Velocity Dance Center, North Seattle College, and The Creative Dance Center. As an educator certified in Brain-Compatible Dance Education, Bri strives to provide students with a comprehensive movement and choreographic toolbox while encouraging their growth as whole human beings. She is thrilled to be teaching in the supportive, nurturing environment that is eXit SPACE. When she is not teaching or dancing, Bri enjoys biking, hiking, and swimming in the Pacific Northwest.
Bri Wilson (she/her) grew up in northern Michigan before earning her BFA in dance at the Alonzo King LINES Ballet BFA Program at Dominican University of California. Since moving to Seattle in 2018, she has performed for The Three Yells, The Gray, Maia Durfee, Elia Mrak, and others while teaching at various settings across the city including Velocity Dance Center, North Seattle College, and The Creative Dance Center. As an educator certified in Brain-Compatible Dance Education, Bri strives to provide students with a comprehensive movement and choreographic toolbox while encouraging their growth as whole human beings. She is thrilled to be teaching in the supportive, nurturing environment that is eXit SPACE. When she is not teaching or dancing, Bri enjoys biking, hiking, and swimming in the Pacific Northwest.
Scarlett Folds/Micaela Gonazales
Micaela Gonzales is a native Texan that has dedicated her life to dance. Born and raised in San Antonio, she began her training at age three thanks to the help and support of her mother. Micaela studied with Connally's Dance Workshop and then later joined the studio's pre professional dance company, San Antonio Metropolitan Ballet. She graduated with her BFA at Cornish College of the Arts in 2018 where she was trained by local Seattle natives Pat Hon, Wade Madsen, Deborah Wolf, Michele Miller, and Lodi McClellan. Along with those, she has done past performances with Danielle Agami, Tinka Gutrik-Dailey, and Ethan Rome. In her last semester at Cornish, Micaela decided to explore a genre of dance outside of her comfort zone and took the Burlesque 101 class. This led to the discovery of her burlesque persona…
Scarlett Folds -- Miss Folds if you're nasty -- is THE raunchy red-lipped lady. Scarlett knows love can be tough sometimes. She also knows you like it that way. This latinx rebel will whip you into shape and light a fire inside you that only she can put out.
With her extensive background in dance as a performer and a movement director, Scarlett brings jaw-dropping shimmies and twirls that will mesmerize you to follow her every whim. She studied burlesque under Cherry Manhattan, and was a TA for the dirty debutante's Neo-Burlesque class at Cornish College of the Arts. Scarlett made her professional burlesque debut in 2018, and has since had a joyously naughty time in many shows such as BurlesKaraoke, Queer Prom, Hollywood Burlesque Festival and more.
A sought-after dancer, Scarlett is a member of The Devil's Advocates, The Dirty Darlings, Simone Pin and Noveltease Theatre. She has no time to mess around -- well, maybe just a little.
Micaela Gonzales is a native Texan that has dedicated her life to dance. Born and raised in San Antonio, she began her training at age three thanks to the help and support of her mother. Micaela studied with Connally's Dance Workshop and then later joined the studio's pre professional dance company, San Antonio Metropolitan Ballet. She graduated with her BFA at Cornish College of the Arts in 2018 where she was trained by local Seattle natives Pat Hon, Wade Madsen, Deborah Wolf, Michele Miller, and Lodi McClellan. Along with those, she has done past performances with Danielle Agami, Tinka Gutrik-Dailey, and Ethan Rome. In her last semester at Cornish, Micaela decided to explore a genre of dance outside of her comfort zone and took the Burlesque 101 class. This led to the discovery of her burlesque persona…
Scarlett Folds -- Miss Folds if you're nasty -- is THE raunchy red-lipped lady. Scarlett knows love can be tough sometimes. She also knows you like it that way. This latinx rebel will whip you into shape and light a fire inside you that only she can put out.
With her extensive background in dance as a performer and a movement director, Scarlett brings jaw-dropping shimmies and twirls that will mesmerize you to follow her every whim. She studied burlesque under Cherry Manhattan, and was a TA for the dirty debutante's Neo-Burlesque class at Cornish College of the Arts. Scarlett made her professional burlesque debut in 2018, and has since had a joyously naughty time in many shows such as BurlesKaraoke, Queer Prom, Hollywood Burlesque Festival and more.
A sought-after dancer, Scarlett is a member of The Devil's Advocates, The Dirty Darlings, Simone Pin and Noveltease Theatre. She has no time to mess around -- well, maybe just a little.
Miranda Chantelois
Young Dancer Program Director
ADP Basic Series Program & Development Coordinator
Miranda Chantelois (she/her) holds a BFA in dance from Cornish College of the Arts and a Master's of Education in Early Childhood Education from Eastern Washington University. As a student, Miranda performed in works by local and nationally-renowned artists including Kyle Abraham, Sidra Bell, Amy O'Neal, Walter Kennedy, and Jason Ohlberg and has since gone on to perform professionally for a wide variety of artists including Mike Esperanza, Deborah Wolf, Bennyroyce Royon, and Rachel Winchester. Her pursuit of visceral and emotive performance opportunities ultimately led her to join Marlo Martin's contemporary dance company, badmarmarDANCE, with whom she currently dances.
Beyond performance, Miranda has had a versatile professional career in arts education, dance criticism, arts administration, and child advocacy, but has ultimately spent the past decade specializing in dance education and curriculum integration for preschool-aged children and dancers of all ages with varying support needs. Miranda has taught Dance for PD® as a Teaching Artist for Seattle Theater Group, co-taught for Pacific Northwest Ballet's Dance for All program serving high- support-needs-youth, and is a current Teaching Artist for PNB's community education department bringing arts integration to K-5 schools. She embeds adaptive practices into all of her work, including classes of typically-developing children and non-disabled adults. Her approach has been informed by the lived experiences of autistic and disabled adults; graduate courses; certifications in Autism Movement Therapy®, Youth Mental Health First Aid, and Youth Protection Advocates in Dance®; and training in physically adaptive dance, Dance for PD®, and Brain-Compatible Dance Education to name a few. Most notably, Miranda's full time role is at her dance home eXit SPACE, where she serves as the Young Dancer Program Director and Adult Basic Program Coordinator, managing communications and programming for hundreds of students each year in addition to teaching in the classroom. Alongside Artistic Director Marlo Martin, she works to enrich the Seattle dance community as a whole with learning and artistic exploration opportunities for children and professionals alike. A firm believer that dance is for everybody, Miranda seeks to cultivate an equitable community informed by neurodiversity-affirming practice and joy.
miranda@exitspacedance.com>>
Young Dancer Program Director
ADP Basic Series Program & Development Coordinator
Miranda Chantelois (she/her) holds a BFA in dance from Cornish College of the Arts and a Master's of Education in Early Childhood Education from Eastern Washington University. As a student, Miranda performed in works by local and nationally-renowned artists including Kyle Abraham, Sidra Bell, Amy O'Neal, Walter Kennedy, and Jason Ohlberg and has since gone on to perform professionally for a wide variety of artists including Mike Esperanza, Deborah Wolf, Bennyroyce Royon, and Rachel Winchester. Her pursuit of visceral and emotive performance opportunities ultimately led her to join Marlo Martin's contemporary dance company, badmarmarDANCE, with whom she currently dances.
Beyond performance, Miranda has had a versatile professional career in arts education, dance criticism, arts administration, and child advocacy, but has ultimately spent the past decade specializing in dance education and curriculum integration for preschool-aged children and dancers of all ages with varying support needs. Miranda has taught Dance for PD® as a Teaching Artist for Seattle Theater Group, co-taught for Pacific Northwest Ballet's Dance for All program serving high- support-needs-youth, and is a current Teaching Artist for PNB's community education department bringing arts integration to K-5 schools. She embeds adaptive practices into all of her work, including classes of typically-developing children and non-disabled adults. Her approach has been informed by the lived experiences of autistic and disabled adults; graduate courses; certifications in Autism Movement Therapy®, Youth Mental Health First Aid, and Youth Protection Advocates in Dance®; and training in physically adaptive dance, Dance for PD®, and Brain-Compatible Dance Education to name a few. Most notably, Miranda's full time role is at her dance home eXit SPACE, where she serves as the Young Dancer Program Director and Adult Basic Program Coordinator, managing communications and programming for hundreds of students each year in addition to teaching in the classroom. Alongside Artistic Director Marlo Martin, she works to enrich the Seattle dance community as a whole with learning and artistic exploration opportunities for children and professionals alike. A firm believer that dance is for everybody, Miranda seeks to cultivate an equitable community informed by neurodiversity-affirming practice and joy.
miranda@exitspacedance.com>>
Rose Amlin
Rose Amlin (she/her) grew up dancing in Seattle and is an alumni of the program at exit space. She continued her education at the University of Washington, pursuing a dual degree in dance and psychology. There she furthered her training in modern, jazz, and ballet as well as street and club styles. She has performed in works by Dani Tirrell, Mike "Majinn" O'Neal, Alethea Alexander, Rachel Lincon, Roel Seeber, Amy Lambert, and many others. Rose has also found joy through dance in the vertical space and has participated in workshops with BANDALOOP in Oakland, CA. She is interested in blurring the lines between genera and has a great love for finding community and shared experiences through dance.
Rose Amlin (she/her) grew up dancing in Seattle and is an alumni of the program at exit space. She continued her education at the University of Washington, pursuing a dual degree in dance and psychology. There she furthered her training in modern, jazz, and ballet as well as street and club styles. She has performed in works by Dani Tirrell, Mike "Majinn" O'Neal, Alethea Alexander, Rachel Lincon, Roel Seeber, Amy Lambert, and many others. Rose has also found joy through dance in the vertical space and has participated in workshops with BANDALOOP in Oakland, CA. She is interested in blurring the lines between genera and has a great love for finding community and shared experiences through dance.
Tyra Rose
Tyra Rose (she/her), originally from Des Plaines IL, moved to Seattle in 2017 in pursuit of building on her dance performance, education and choreography experience. She graduated magna cum laude with honors in 2016 from Webster University with a BFA in dance. Tyra studied ballet, jazz, modern, hip hop, aerial and Thai classical in school and furthered her artistic interests with painting and other art forms. Her multimedia explorations culminated in an evening length performance collaborating with Corbin Hall and produced through ANNONYArts in St. Louis, MO. Tyra presented her own work in St. Louis at the Spring to Dance Festival and Artica Fest, in Seattle with RAW Artists and the Full Tilt Dance Festival. She is grateful for the performance opportunities she's had here, notably with Catapult Dance (Michele Miller), AJnC Dance Theater (Amy J. Lambert), Gender Tender (Fox Whitney) and The Three Yells (Veronica Lee-Baik). Besides creating, performing, and teaching, Tyra spends most of her free time with her two dogs going on long walks.
Tyra Rose (she/her), originally from Des Plaines IL, moved to Seattle in 2017 in pursuit of building on her dance performance, education and choreography experience. She graduated magna cum laude with honors in 2016 from Webster University with a BFA in dance. Tyra studied ballet, jazz, modern, hip hop, aerial and Thai classical in school and furthered her artistic interests with painting and other art forms. Her multimedia explorations culminated in an evening length performance collaborating with Corbin Hall and produced through ANNONYArts in St. Louis, MO. Tyra presented her own work in St. Louis at the Spring to Dance Festival and Artica Fest, in Seattle with RAW Artists and the Full Tilt Dance Festival. She is grateful for the performance opportunities she's had here, notably with Catapult Dance (Michele Miller), AJnC Dance Theater (Amy J. Lambert), Gender Tender (Fox Whitney) and The Three Yells (Veronica Lee-Baik). Besides creating, performing, and teaching, Tyra spends most of her free time with her two dogs going on long walks.
Wade Madsen
Wade Madsen (he/him) has been a dance maker and teacher in Seattle since 1977. Madsen has created over 180 works and had various dance groups under the name of Wade Madsen and Dancers from 1979 till present, and has received multiple grants and fellowships for his choreography form the NEA, For Culture, Artist Trust, and Seattle Arts Commissions . Madsen has been commissioned for work by ON the Boards, University of Washington, Cal Poly, Riverside Community College, Velocity Dance Center, Full Tilt, Spectrum dance and Dance Gallery in Bellingham, along with commissions from Seattle Rep, Seattle Opera, and Seattle Men's Chorus. Wade received his bachelor degree from the University New Mexico where he majored in art, theater and dance. Wade toured and performed for various choreographers over his career most notably with Tandy Beal, Bill Evans, Dayna Hanson and Peggy Piacenza. Madsen has premiered over forty works for the Cornish dance company since joining the faculty in 1984, along with being an associate faculty at Dance Center Seattle and Velocity Dance Center since 1977. Wade has years of experience in teaching all levels of contemporary technique classes, multiple levels of Choreography and creative practice courses, Reparatory, partnering, and courses in Hybrid/Collaboration and pedagogy. As an instructor Madsen brings to his classes his years in contemporary training from Graham Limon, Cunningham and has found inspiration from Pina Bausch, Trisha Brown,Crystal Pite and many others. Wade is also a certified Yoga and Gyrotonic method teacher. He facilitates strength, ease of movement, and clear core connections in his contemporary classes. He utilizes all the above and addresses improvisation as a creative support tool for a more facile, adaptable, mover on their journey to becoming the creative dancer spirits they are meant to be.
Wade Madsen (he/him) has been a dance maker and teacher in Seattle since 1977. Madsen has created over 180 works and had various dance groups under the name of Wade Madsen and Dancers from 1979 till present, and has received multiple grants and fellowships for his choreography form the NEA, For Culture, Artist Trust, and Seattle Arts Commissions . Madsen has been commissioned for work by ON the Boards, University of Washington, Cal Poly, Riverside Community College, Velocity Dance Center, Full Tilt, Spectrum dance and Dance Gallery in Bellingham, along with commissions from Seattle Rep, Seattle Opera, and Seattle Men's Chorus. Wade received his bachelor degree from the University New Mexico where he majored in art, theater and dance. Wade toured and performed for various choreographers over his career most notably with Tandy Beal, Bill Evans, Dayna Hanson and Peggy Piacenza. Madsen has premiered over forty works for the Cornish dance company since joining the faculty in 1984, along with being an associate faculty at Dance Center Seattle and Velocity Dance Center since 1977. Wade has years of experience in teaching all levels of contemporary technique classes, multiple levels of Choreography and creative practice courses, Reparatory, partnering, and courses in Hybrid/Collaboration and pedagogy. As an instructor Madsen brings to his classes his years in contemporary training from Graham Limon, Cunningham and has found inspiration from Pina Bausch, Trisha Brown,Crystal Pite and many others. Wade is also a certified Yoga and Gyrotonic method teacher. He facilitates strength, ease of movement, and clear core connections in his contemporary classes. He utilizes all the above and addresses improvisation as a creative support tool for a more facile, adaptable, mover on their journey to becoming the creative dancer spirits they are meant to be.
Robbi Moore
Robbi Moore from Hamden, CT, began dancing at New England Ballet and continued at Dee Dee's Dance Center and New Haven Ballet. Robbi is an alumnus of Earl Mosley's Institute of the Arts, the Ailey Summer Intensive, Cunningham Trust Workshop, Jacob's Pillow's Commercial Dance Program, and the Complexions Intensive. Robert graduated magna cum laude from the Ailey/Fordham BFA Program and has danced with Amanda Selwyn Dance Theatre, The Steps Repertory Ensemble, AATMA Performing Arts, Whidbey Island Dance Theatre, Tacoma Urban Performing Arts Center, Karin Stevens Dance, the Guild Dance Company, Kinesis Project Dance Theatre, The Gray, PRICEarts, Coriolis Dance, Khambatta Dance Company, and Spectrum Dance Theater.
Robbi Moore from Hamden, CT, began dancing at New England Ballet and continued at Dee Dee's Dance Center and New Haven Ballet. Robbi is an alumnus of Earl Mosley's Institute of the Arts, the Ailey Summer Intensive, Cunningham Trust Workshop, Jacob's Pillow's Commercial Dance Program, and the Complexions Intensive. Robert graduated magna cum laude from the Ailey/Fordham BFA Program and has danced with Amanda Selwyn Dance Theatre, The Steps Repertory Ensemble, AATMA Performing Arts, Whidbey Island Dance Theatre, Tacoma Urban Performing Arts Center, Karin Stevens Dance, the Guild Dance Company, Kinesis Project Dance Theatre, The Gray, PRICEarts, Coriolis Dance, Khambatta Dance Company, and Spectrum Dance Theater.
Kaitlin McCarthy
Kaitlin McCarthy is a Seattle-based dance artist, writer, and teacher. She has choreographed and performed across the city, as well as toured nationally and internationally as a dancer with MALACARNE Dance Company under the direction of Alice Gosti. As a teaching artist, Kaitlin has specialized in working with beginning adults since 2014, and prides herself on bringing safe practices, down-to-earth vibes, and the joy of dance to the classroom.
Kaitlin's Class: Traditional and not-so-traditional ballet exercises combine for a thoughtful, anatomically-aware workout while increasing grace, coordination, posture, and strength. Working through imagery and sensation, the class will help students develop a solid foundation in basic ballet steps as well as working with musicality and developing skills for learning choreography. The fun, supportive environment is perfect for the beginning dancer looking to tackle new steps, or more experienced dancers wanting to hone their technique. This class celebrates ballet's rich theatrical history with choreography that encourages a broad range of dramatic expression and unbridled, joyous dancing!
Kaitlin McCarthy is a Seattle-based dance artist, writer, and teacher. She has choreographed and performed across the city, as well as toured nationally and internationally as a dancer with MALACARNE Dance Company under the direction of Alice Gosti. As a teaching artist, Kaitlin has specialized in working with beginning adults since 2014, and prides herself on bringing safe practices, down-to-earth vibes, and the joy of dance to the classroom.
Kaitlin's Class: Traditional and not-so-traditional ballet exercises combine for a thoughtful, anatomically-aware workout while increasing grace, coordination, posture, and strength. Working through imagery and sensation, the class will help students develop a solid foundation in basic ballet steps as well as working with musicality and developing skills for learning choreography. The fun, supportive environment is perfect for the beginning dancer looking to tackle new steps, or more experienced dancers wanting to hone their technique. This class celebrates ballet's rich theatrical history with choreography that encourages a broad range of dramatic expression and unbridled, joyous dancing!
Lauren Wlasichuk
Lauren (she/her) grew up dancing in Calgary, AB, Canada, where she first fell in love with teaching through her studio's student-teacher education program. When she moved to Edmonton to complete her BA and BEd at the University of Alberta, she continued her dancing journey with MOD Contemporary Dance Movement. At this time, she also began teaching tap and jazz at Flexpointe Studios, where she taught for eight years. She also taught at a junior high school in Edmonton where she developed and implemented a beginner dance program for 7th-9th grade students. Lauren has also been a part of Viva Dance Company, a professional company that has performed in numerous events throughout Edmonton and beyond.
Since moving to Seattle in 2020, Lauren has continued to train and perform, as well as teach. She currently teaches Dance and P.E. at a middle school in Bellevue and also enjoys hiking, camping, and biking. In her classes, Lauren encourages dancers to explore, develop, and celebrate their individual artistic expression, while challenging them through strong and balanced technical training to reach their fullest potential.
Lauren (she/her) grew up dancing in Calgary, AB, Canada, where she first fell in love with teaching through her studio's student-teacher education program. When she moved to Edmonton to complete her BA and BEd at the University of Alberta, she continued her dancing journey with MOD Contemporary Dance Movement. At this time, she also began teaching tap and jazz at Flexpointe Studios, where she taught for eight years. She also taught at a junior high school in Edmonton where she developed and implemented a beginner dance program for 7th-9th grade students. Lauren has also been a part of Viva Dance Company, a professional company that has performed in numerous events throughout Edmonton and beyond.
Since moving to Seattle in 2020, Lauren has continued to train and perform, as well as teach. She currently teaches Dance and P.E. at a middle school in Bellevue and also enjoys hiking, camping, and biking. In her classes, Lauren encourages dancers to explore, develop, and celebrate their individual artistic expression, while challenging them through strong and balanced technical training to reach their fullest potential.
Joseph Schanbeck
A dancing "jack-of-all-trades!" Joseph has performed with the Alvin Ailey American Dance Theatre, renowned tap artist Savion Glover, Seattle's ARC Ballet Company, and the Stone Contemporary Dance Collective of Seattle. Mr. Joseph is a graduate of the University of Washington with a degree in performance art focusing on physiology and dance pedagogy and a current faculty member for the Elite Performance Dance Convention. He is also a competitive dance judge for MOVE Productions and is the Ballet, Tap and Acro director of the Surge Dance Center. He currently choreographs for the Voltage competitive team at the Surge in Lake Tapps as well as with Nova Rhythmic Gymnastics in Bellevue. His choreography has won multiple regional and national top achievements and championship titles. Joseph's choreography has recently been featured in a music video for SYML's recent single entitled Girl. Currently he choreographs and teaches dance & acro in the greater Seattle area.
A dancing "jack-of-all-trades!" Joseph has performed with the Alvin Ailey American Dance Theatre, renowned tap artist Savion Glover, Seattle's ARC Ballet Company, and the Stone Contemporary Dance Collective of Seattle. Mr. Joseph is a graduate of the University of Washington with a degree in performance art focusing on physiology and dance pedagogy and a current faculty member for the Elite Performance Dance Convention. He is also a competitive dance judge for MOVE Productions and is the Ballet, Tap and Acro director of the Surge Dance Center. He currently choreographs for the Voltage competitive team at the Surge in Lake Tapps as well as with Nova Rhythmic Gymnastics in Bellevue. His choreography has won multiple regional and national top achievements and championship titles. Joseph's choreography has recently been featured in a music video for SYML's recent single entitled Girl. Currently he choreographs and teaches dance & acro in the greater Seattle area.
DaeZhane Day
Movement artist DaeZhane Day emulates the blend between Seattle contemporary dance and Bay Area street hip hop. With a BFA from Cornish College of the Arts DaeZhane shares her hybrid form in and around the Seattle area and beyond. DaeZhane has set work for Seattle Shakespeare's Romeo and Juliet as well as performing in Intiman theatre's Black Navitiy last December as Mary. They have studied with artists like Melecio Estrella, Charolette Boye-Christensen, and Keyes Wiley, Rubberlegz, and more. DaeZhane has taught for Pacific Northwest Ballet, Whim Whim Contemporary Dance Center, Summer Dance Lab, and is currently on faculty at eXit Space School of Dance. DaeZhane hopes that her love of community and dance will further her expertise in her administration role at Cornish College of the Arts. You can find DaeZhane performing in Black Nativity again this December!
Movement artist DaeZhane Day emulates the blend between Seattle contemporary dance and Bay Area street hip hop. With a BFA from Cornish College of the Arts DaeZhane shares her hybrid form in and around the Seattle area and beyond. DaeZhane has set work for Seattle Shakespeare's Romeo and Juliet as well as performing in Intiman theatre's Black Navitiy last December as Mary. They have studied with artists like Melecio Estrella, Charolette Boye-Christensen, and Keyes Wiley, Rubberlegz, and more. DaeZhane has taught for Pacific Northwest Ballet, Whim Whim Contemporary Dance Center, Summer Dance Lab, and is currently on faculty at eXit Space School of Dance. DaeZhane hopes that her love of community and dance will further her expertise in her administration role at Cornish College of the Arts. You can find DaeZhane performing in Black Nativity again this December!
Mike Esperanza
Born in Manila, Philippines and raised in Southern California, Mike Esperanza has established himself as a sought after teacher and choreographer throughout the nation. With a BFA in graphic design from California State University, Fullerton, Mike's approach to visual construction has influenced a unique movement orchestration on stage. His works have been commissioned by prestigious college and university dance programs including Chapman University, Loyola Marymount University, UNLV, Cal State Long Beach, Cal Poly San Luis Obispo, and Utah Valley University to name a few. Six choreographic works have made regional gala appearances at the American College Dance Festival with 3 going on to perform at the American College Dance Festival National Gala held at the Kennedy Center in Washington D.C.
In 2005, Mike was awarded the "Dance: Creation for Performance" grant presented by Dance/USA and the Irvine Foundation. With this distinguished award, BARE Dance Company began. BARE has produced numerous show around Southern California including the Lestor Horton Award nominated "Manhattan" - an alternative take on West Side Story.
Mike has also been a finalist at the Palm Desert Dance Under the Stars Choreography Festival in 2006, 2008, 2009 and 2010 taking second place in 2009 and winning the paid engagement award in 2010. BARE was recently part of the "Innerstate" roster presented by ODC Theater and funded by the Irvine Foundation. The program allowed the company to perform numerous cities in Southern and Northern California.
Born in Manila, Philippines and raised in Southern California, Mike Esperanza has established himself as a sought after teacher and choreographer throughout the nation. With a BFA in graphic design from California State University, Fullerton, Mike's approach to visual construction has influenced a unique movement orchestration on stage. His works have been commissioned by prestigious college and university dance programs including Chapman University, Loyola Marymount University, UNLV, Cal State Long Beach, Cal Poly San Luis Obispo, and Utah Valley University to name a few. Six choreographic works have made regional gala appearances at the American College Dance Festival with 3 going on to perform at the American College Dance Festival National Gala held at the Kennedy Center in Washington D.C.
In 2005, Mike was awarded the "Dance: Creation for Performance" grant presented by Dance/USA and the Irvine Foundation. With this distinguished award, BARE Dance Company began. BARE has produced numerous show around Southern California including the Lestor Horton Award nominated "Manhattan" - an alternative take on West Side Story.
Mike has also been a finalist at the Palm Desert Dance Under the Stars Choreography Festival in 2006, 2008, 2009 and 2010 taking second place in 2009 and winning the paid engagement award in 2010. BARE was recently part of the "Innerstate" roster presented by ODC Theater and funded by the Irvine Foundation. The program allowed the company to perform numerous cities in Southern and Northern California.
Nicole Flores
Nicole Flores (They/She) is a movement artist from Chicago Illinois. Holding a BFA from Columbia College Chicago, their midwest roots are sunken greatly into finding spaces where community can grow and flourish. After graduating in 2017, Nicole lived in Los Angeles full time, receiving secondary training from The American Musical and Dramatics Academy (AMDA). As her budding career continued to grow, Nicole was a scholarship recipient for the LA contemporary Dance Company's 2019 and 2021 Summer intensives, giving her the opportunity to perform as a Guest Artist in Genevieve Carson's work; "Ebba". Nicole joined Psychopomp Dance Theater in 2019 as a performing artist. They have been a co-facilitator for their 2021 and 2023 summer workshops as well as a close collaborator with Artistic Director, Shenandoah Harris. Now in bloom in Seattle since 2021, Nicole has truly found a home in the dance community here. Nicole has performed works by Dance Undercurrent, Coriolis Dance Collective, and Badmarmar DANCE, among others. Nicole was granted two residencies in January of 2023 through Velocity Dance and Coriolis Dance Collective. During these two separate but simultaneous residencies, Nicole created two iterations of "These Heavy Bones" - a work that deals with the weight that depression and anxiety holds on our bodies. Nicole hopes to combine these two iterations in the future, culminating in an evening length immersive experience. When Nicole is not dancing or choreographing they are also a certified personal trainer and is very passionate about how we can bring functionality and strength into our dance practices.
Nicole Flores (They/She) is a movement artist from Chicago Illinois. Holding a BFA from Columbia College Chicago, their midwest roots are sunken greatly into finding spaces where community can grow and flourish. After graduating in 2017, Nicole lived in Los Angeles full time, receiving secondary training from The American Musical and Dramatics Academy (AMDA). As her budding career continued to grow, Nicole was a scholarship recipient for the LA contemporary Dance Company's 2019 and 2021 Summer intensives, giving her the opportunity to perform as a Guest Artist in Genevieve Carson's work; "Ebba". Nicole joined Psychopomp Dance Theater in 2019 as a performing artist. They have been a co-facilitator for their 2021 and 2023 summer workshops as well as a close collaborator with Artistic Director, Shenandoah Harris. Now in bloom in Seattle since 2021, Nicole has truly found a home in the dance community here. Nicole has performed works by Dance Undercurrent, Coriolis Dance Collective, and Badmarmar DANCE, among others. Nicole was granted two residencies in January of 2023 through Velocity Dance and Coriolis Dance Collective. During these two separate but simultaneous residencies, Nicole created two iterations of "These Heavy Bones" - a work that deals with the weight that depression and anxiety holds on our bodies. Nicole hopes to combine these two iterations in the future, culminating in an evening length immersive experience. When Nicole is not dancing or choreographing they are also a certified personal trainer and is very passionate about how we can bring functionality and strength into our dance practices.
Hayley Keller
Hayley Keller (she/her) grew up as a gymnast and dancer in Grand Junction, Colorado before relocating to the PNW to continue her education in Dance and Political Science at the University of Oregon. She trained at Shawl Anderson Dance Center in Berkeley, California before finding her home here in Seattle in 2020. She has studied under and performed works set by Adam Parson, Mike Esperanza, Habib Iddrisu, Shannon Mockli, and Marlo Martin, among others, and spent three years dancing as a member of Dema, a West African Dance ensemble. Hayley seeks out community and authenticity in all parts of her life and is always working to bring those qualities to the spaces she inhabits.
Hayley Keller (she/her) grew up as a gymnast and dancer in Grand Junction, Colorado before relocating to the PNW to continue her education in Dance and Political Science at the University of Oregon. She trained at Shawl Anderson Dance Center in Berkeley, California before finding her home here in Seattle in 2020. She has studied under and performed works set by Adam Parson, Mike Esperanza, Habib Iddrisu, Shannon Mockli, and Marlo Martin, among others, and spent three years dancing as a member of Dema, a West African Dance ensemble. Hayley seeks out community and authenticity in all parts of her life and is always working to bring those qualities to the spaces she inhabits.
Roni Witbeck
From the moment Roni stepped into her first dance class at the age of four, it was love at first step. In the decades since then, she has learned countless skills and life lessons from her dance teachers and mentors. It is her passion to pay it forward whether that be as a teacher, mentor, role model, or friend. In 2013, Roni earned her B.A. in Dance with a Modern Emphasis from San Jose State University in California. During and since that time, she has had the opportunity to perform with SJSU's University Dance Theater and work with choreographers such as Kara Davis, Mike Esperanza, Rogelio Lopez, Marlo Martin, and more. After graduating, she spent eight years as an Outdoor Educator in the California Redwoods, teaching children how to comfortably explore, learn, and find independence outside. Roni is excited to expand upon her previous experiences in the dance space once again by creating a safe and welcome environment to foster creativity, self-exploration, and curiosity through movement. She can't wait to dance with you!
From the moment Roni stepped into her first dance class at the age of four, it was love at first step. In the decades since then, she has learned countless skills and life lessons from her dance teachers and mentors. It is her passion to pay it forward whether that be as a teacher, mentor, role model, or friend. In 2013, Roni earned her B.A. in Dance with a Modern Emphasis from San Jose State University in California. During and since that time, she has had the opportunity to perform with SJSU's University Dance Theater and work with choreographers such as Kara Davis, Mike Esperanza, Rogelio Lopez, Marlo Martin, and more. After graduating, she spent eight years as an Outdoor Educator in the California Redwoods, teaching children how to comfortably explore, learn, and find independence outside. Roni is excited to expand upon her previous experiences in the dance space once again by creating a safe and welcome environment to foster creativity, self-exploration, and curiosity through movement. She can't wait to dance with you!
Carol Davis
Carol (she/her) is a freelance dancer, teacher and Pilates instructor based in Seattle, WA. She holds a BFA in Modern Dance from Texas Christian University where she trained in performance, choreography and pedagogy. While teaching full time at Atlas Pilates, she has performed with artists such as Dance Undercurrent, Tariq Mitri, Emily Schoen Branch and badmarmarDANCE. As a teacher and performer, she relies on technique, tradition and curiosity as the groundwork for artistry and innovation. She hopes to give her students the tools they need to enjoy a lifetime of creativity and movement!
Carol (she/her) is a freelance dancer, teacher and Pilates instructor based in Seattle, WA. She holds a BFA in Modern Dance from Texas Christian University where she trained in performance, choreography and pedagogy. While teaching full time at Atlas Pilates, she has performed with artists such as Dance Undercurrent, Tariq Mitri, Emily Schoen Branch and badmarmarDANCE. As a teacher and performer, she relies on technique, tradition and curiosity as the groundwork for artistry and innovation. She hopes to give her students the tools they need to enjoy a lifetime of creativity and movement!